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April 2012

Monthly Archives: April 2012

How to drive the devil out of a waltz or: Liszt’s Mephisto Waltz for everybody?

Posted on April 30, 2012 by Norbert Gertsch

It’s still ringing in your ears, this warhorse for orchestra … Continue reading →

Posted in Monday Postings | Tagged arrangements, Liszt, Mephisto Waltz, Meyendorff, versions | Leave a comment

On the lookout for the lost measure: Bach’s C-major Prelude from the Well-Tempered Clavier I

Posted on April 16, 2012 by Norbert Müllemann

Those in the know among our readers will be aware … Continue reading →

Posted in Monday Postings | Tagged Bach, Gounod, Schwencke, Well-Tempered Clavier | 1 Comment

The “Creation” starting from scratch: Joseph Haydn’s sketches in the Complete Edition

Posted on April 2, 2012 by Annette Oppermann

It is probably well enough known that in the G. … Continue reading →

Posted in Monday Postings | Tagged Complete Edition, Creation, facsimile, genesis, Haydn, sketch | Leave a comment
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    • Commenting on a decisecond Bach – B or B flat in the B-flat major ‘Corrente’ BWV 825
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    • Spring Cleaning – new setup guidelines at the Henle house
    • Wagner, Liszt, and Isolde ‘slurred’– how well do composers proofread their own works?
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