Search
Subscribe2
-
Recent Posts
- An anniversary tribute 200 years after his death: Carl Maria von Weber’s Bassoon Concerto, op. 75, now available in Henle Urtext
- Fanny Hensel’s Lieder on the Rise
- It Doesn’t Always Have to Be Blue – Bach in Yellow
- Just a bit of Passacaglia?
- “My obsession with improvement is a chronic, incurable affliction”. On Liszt’s Piano Concerto No. 2
Tags
accidentals arrangements autograph Bach Bartók Beethoven Brahms Carnival Chopin Christmas clarinet Debussy Double bass Dvorak facsimile Fauré fingering first edition genesis Haydn Hoffmeister horn Liszt Mendelssohn Mozart notation piano piano concerto piano sonata Rachmaninoff Ravel revision Saint-Saëns Satie Schubert Schumann string quartet urtext variant reading variants variations versions viola violin Violin Sonata
Monthly Archives: March 2013
Wagner, Liszt, and Isolde ‘slurred’– how well do composers proofread their own works?
The current Wagner year is also not going unnoticed at … Continue reading
‘Come sopra’ – clearly ambiguous!
The autograph of Beethoven’s piano sonata, Op. 90, is part … Continue reading