Author Archives: Annette Oppermann

Does it work or doesn’t it? About page turns in the music

Haven’t you, too, sometimes wondered in a concert why the … Continue reading

Posted in Bach, Johann Sebastian, Monday Postings, Reger, Max, Schubert, Franz | Tagged , | Leave a comment

Better late than never: Leoš Janáček at Henle publishers

It is always a special moment whenever a new name … Continue reading

Posted in autograph, copy, first edition, G. Henle Publishers, Janácek, Leos, Mládí (Janácek), Monday Postings, winds | Tagged , , , | Leave a comment

Read the end first!

Come on now, fess up! Haven’t you sometimes thumbed through … Continue reading

Posted in Beethoven, Ludwig van, G. Henle Publishers, Monday Postings | Tagged , , , | Leave a comment

The lord of the low tones – Tobias Glöckler in conversation about Dragonetti’s “Famous Solo”

The double bass entered the Henle publishers’ catalogue a few … Continue reading

Posted in Dittersdorf, Karl Ditters von, double bass, Double Bass Concerto (Dittersdorf), Double Bass Concerto (Hoffmeister), Dragonetti, Domenico, Famous Solo (Dragonetti), Hoffmeister, Franz Anton, Monday Postings, Tobias Glöckler, Urtext | Tagged , , , , , , , , , , | Leave a comment

Why facsimiles, actually?

The blue Urtext editions certainly amount to the lion’s share … Continue reading

Posted in autograph, facsimile, G. Henle Publishers, Monday Postings, notation, Schubert, Franz, Violin Sonata op. 137 (Schubert) | Tagged , , , , , , , , , | Leave a comment

High time for the low register – the double bass conquers the Henle catalogue

The strings, together with the main instrument, piano, have all … Continue reading

Posted in Dittersdorf, Karl Ditters von, double bass, Double Bass Concerto (Dittersdorf), Double Bass Concerto (Hoffmeister), Dragonetti, Domenico, Famous Solo (Dragonetti), G. Henle Publishers, Hoffmeister, Franz Anton, Monday Postings, Tobias Glöckler, Urtext | Tagged , , , | 1 Comment

“Adelaide” – a song goes round the world

The German art song does indeed famously enjoy great popularity, … Continue reading

Posted in Adelaide op. 46 (Beethoven), Beethoven, Ludwig van, Monday Postings, piano + voice | Tagged , , , | 1 Comment

Totally, seriously – clearing it out is part of it!

Any of you who not only had a hearty laugh … Continue reading

Posted in autograph, Clarinet Sonata op. 107 (Reger), Monday Postings, notation, piano + clarinet, Reger, Max | Tagged , | Leave a comment

How much verbal text can music tolerate?

A serious scholarly book publication can be recognized by the … Continue reading

Posted in G. Henle Publishers, Monday Postings, Urtext | Tagged , , | 1 Comment

What’s the shelf life of Urtext? Revising at Henle publishers

When you look carefully at our recent publications you’ll also … Continue reading

Posted in Ballades (Chopin), Beethoven, Ludwig van, Brahms, Johannes, Chopin, Frédéric, G. Henle Publishers, Grand Fugue op. 134 (Beethoven), Monday Postings, Mozart, Wolfang Amadeus, new source, revision, Schumann, Robert, Toccata op. 7 (Schumann), Urtext | Tagged , , , , , | Leave a comment