-
Recent Posts
- Debussy: to finger or not to finger…? Why we are adding fingering in the “Études”
- How to drive the devil out of a waltz or: Liszt’s Mephisto Waltz for everybody?
- On the lookout for the lost measure: Bach’s C-major Prelude from the Well-Tempered Clavier I
- The “Creation” starting from scratch: Joseph Haydn’s sketches in the Complete Edition
- Curiosity pays off. The genesis of Maurice Ravel’s piano ‘Sonatine’
Archive
- May 2012 (1)
- April 2012 (3)
- March 2012 (2)
- February 2012 (2)
- January 2012 (2)
- December 2011 (2)
- November 2011 (2)
Tags
arrangements Bach Ballade Beethoven Berceuse Calvocoressi Chopin competition Complete Edition concerto contrabass Creation Debussy Elise facsimile Fauré Fontana Franchomme genesis Gounod harmonics Haydn Hoffmeister Hummel instrument instrumentation Liszt Mazurka Mephisto Waltz Meyendorff Mozart notation piano sonata Préludes Ravel Schwencke Sextet sketch Sonatina variants versions viola violoncello Well-Tempered Clavier Études
Author Archives: Annette Oppermann
The “Creation” starting from scratch: Joseph Haydn’s sketches in the Complete Edition
It is probably well enough known that in the G. … Continue reading
Posted in Monday Postings
Tagged Complete Edition, Creation, facsimile, genesis, Haydn, sketch
Leave a comment
So, how much bass do you want? Beethoven’s Sextet Op. 81b
Wouldn’t you wonder, too, if you saw a sextet on … Continue reading
Posted in Monday Postings
Tagged Beethoven, contrabass, instrumentation, Sextet, violoncello
Leave a comment
Beethoven, Für Elise WoO 59 – Do you strike the right note?
d or e – that is the question … when … Continue reading