Category Archives: Chopin, Frédéric

Confusion about ties in Chopin’s Scherzo in b minor

That Chopin variants can be exasperating to an editor – … Continue reading

Posted in articulation, Auguste Franchomme, autograph, Chopin, Frédéric, Composers, Ferdinand Hiller, first edition, letter, Monday Postings, piano solo, Scherzo in b minor op. 20 (Chopin) | 1 Comment

About the difficulties of notating ornamentation – The riddle of a neighbouring trill tone in Chopin’s Berceuse

The topic “ornamentation” in music is truly endless. We have … Continue reading

Posted in Bach, Johann Sebastian, Berceuse op. 57 (Chopin), Chopin, Frédéric, General, Monday Postings, notation, ornamentation, piano solo | Tagged , , , | 6 Comments

What’s the shelf life of Urtext? Revising at Henle publishers

When you look carefully at our recent publications you’ll also … Continue reading

Posted in Ballades (Chopin), Beethoven, Ludwig van, Brahms, Johannes, Chopin, Frédéric, G. Henle Publishers, Grand Fugue op. 134 (Beethoven), Monday Postings, Mozart, Wolfgang Amadeus, new source, revision, Schumann, Robert, Toccata op. 7 (Schumann), Urtext | Tagged , , , , , | Leave a comment

‘Fontana’s version’ – genuine Chopin?

A glance at the table of contents in our Urtext … Continue reading

Posted in Chopin, Frédéric, Monday Postings, piano solo, Urtext, variant reading, versions, Waltzes (Chopin) | Tagged , , | 3 Comments

“La dernière pensée musicale de Chopin” – a Sham?

Mystery swirls around Chopin’s Mazurka in f minor, op. post. … Continue reading

Posted in Chopin, Frédéric, Mazurka op. post. 68 nr. 4 (Chopin), Monday Postings, piano solo, sketches, versions | Tagged , , , , , | Leave a comment

How does Chopin’s Second Ballade end?

Many pianists are familiar with the problem that there are … Continue reading

Posted in autograph, Ballades (Chopin), Chopin, Frédéric, first edition, Monday Postings, piano solo, versions | Tagged , , | Leave a comment