Category Archives: Schumann, Robert

Autumnal thoughts on “Buntes Blatt” in f-sharp minor by Robert Schumann

A little birthday gift for András Schiff (December 2016) Coloured … Continue reading

Posted in Bunte Blätter op. 99 (Schumann), harmonics, piano solo, Schumann, Robert | Tagged , , | Leave a comment

Urtext and Urcontext

In our blog we have certainly already discussed the Urtext … Continue reading

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Where does the key/clef go? About a problematic passage in Schumann’s F-major string quartet

Fans of the humourist Wilhelm Busch will certainly be reminded … Continue reading

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“Hark, Hark! The Joy Inspiring Horn” – Discoveries in Schumann’s Konzertstück, Opus 86

For pianists and string players, especially, the name Henle stands … Continue reading

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Ossia and Da Capo – Confusion in Schumann’s Papillons, Op. 2

Sometimes a conundrum can’t be solved, even when the source … Continue reading

Posted in Alfred Cortot, autograph, Claudio Arrau, dynamics, first edition, Jörg Demus, Monday Postings, Papillons op. 2 (Schumann), piano solo, Schumann, Robert, Sviatoslav Richter, variant reading, Wilhelm Kempff | Tagged , , , | Leave a comment

“una corda” – “con sord.” – “mit Verschiebung”: How do I ‘mute’ my piano?

Many piano students are not going to believe their eyes … Continue reading

Posted in Beethoven, Ludwig van, Monday Postings, notation, piano solo, Schumann, Robert, Scriabin, Alexander | Tagged , , , , | Leave a comment

Correction or interpretation? – Johannes and Clara alter Robert’s music

Anyone practicing Robert Schumann’s In der Nacht, the fifth number … Continue reading

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What’s the shelf life of Urtext? Revising at Henle publishers

When you look carefully at our recent publications you’ll also … Continue reading

Posted in Ballades (Chopin), Beethoven, Ludwig van, Brahms, Johannes, Chopin, Frédéric, G. Henle Publishers, Grand Fugue op. 134 (Beethoven), Monday Postings, Mozart, Wolfgang Amadeus, new source, revision, Schumann, Robert, Toccata op. 7 (Schumann), Urtext | Tagged , , , , , | Leave a comment

Will versus Caprice. On the the closing measures of Robert Schumann’s C-major Fantasy op. 17

What you can see here is the last page of … Continue reading

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“Rock” or “stone”? Schumann’s text changes in “Liederkreis” op. 39 on poems by Joseph von Eichendorff

You know the Lorelei? You know that from the high … Continue reading

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