Category Archives: Schumann, Robert

‘Free, but lonely’ – an extraordinary sonata and its new edition

Our new Urtext edition HN 1572 introduced in today’s blog … Continue reading

Posted in Brahms, Johannes, dedication, Dietrich, Albert, genesis, Joachim, Joseph, Monday Postings, piano + violin, Schumann, Robert | Tagged , , , , , , | Leave a comment

Schumann’s metronome markings in his “Kinderszenen”. Opportunity, not nuisance.

“You cannot define tempo. Tempo has no existence of its … Continue reading

Posted in Monday Postings, piano solo, Schumann, Robert, tempo | Tagged | 3 Comments

Schumann revisited – about an odd accidental in the Fantasiestücke, op. 73

We report as a rule in our blog posts on … Continue reading

Posted in Fantasy Pieces op. 73 (Schumann), piano + clarinet, Schumann, Robert, variant reading | Tagged , , | 5 Comments

Bordering on the modern – The Urtext edition of Schumann’s “Myrthen” op. 25

Considering that specifically for 19th-century works the first edition is … Continue reading

Posted in Monday Postings, Schumann, Robert | Tagged , , | 2 Comments

Autumnal thoughts on “Buntes Blatt” in f-sharp minor by Robert Schumann

A little birthday gift for András Schiff (December 2016) Coloured … Continue reading

Posted in Bunte Blätter op. 99 (Schumann), harmonics, piano solo, Schumann, Robert | Tagged , , | Leave a comment

Urtext and Urcontext

In our blog we have certainly already discussed the Urtext … Continue reading

Posted in Fauré, Gabriel, Monday Postings, piano + voice, Schumann, Robert, Urtext | Tagged , , , , | 1 Comment

Where does the key/clef go? About a problematic passage in Schumann’s F-major string quartet

Fans of the humourist Wilhelm Busch will certainly be reminded … Continue reading

Posted in autograph, first edition, Monday Postings, Schumann, Robert, string quartet, String Quartet op. 41 Nr. 2 (Schumann), variant reading | Tagged , , , , , , , , , | Leave a comment

“Hark, Hark! The Joy Inspiring Horn” – Discoveries in Schumann’s Konzertstück, Opus 86

For pianists and string players, especially, the name Henle stands … Continue reading

Posted in autograph, Concert Piece op. 86 (Schumann), first edition, G. Henle Publishers, horn, Monday Postings, notation, Schumann, Robert | Tagged , , , , , , | Leave a comment

Ossia and Da Capo – Confusion in Schumann’s Papillons, Op. 2

Sometimes a conundrum can’t be solved, even when the source … Continue reading

Posted in Alfred Cortot, autograph, Claudio Arrau, dynamics, first edition, Jörg Demus, Monday Postings, Papillons op. 2 (Schumann), piano solo, Schumann, Robert, Sviatoslav Richter, variant reading, Wilhelm Kempff | Tagged , , , | Leave a comment

“una corda” – “con sord.” – “mit Verschiebung”: How do I ‘mute’ my piano?

Many piano students are not going to believe their eyes … Continue reading

Posted in Beethoven, Ludwig van, Monday Postings, notation, piano solo, Schumann, Robert, Scriabin, Alexander | Tagged , , , , | 3 Comments