Category Archives: Tobias Glöckler

A tear for or from Rossini?

November 13 marks the 150th anniversary of Gioacchino Rossini’s death, … Continue reading

Posted in autograph, Instrumentation, Monday Postings, piano + double bass, Rossini, Gioacchino, Tobias Glöckler, Une larme (Rossini) | Tagged , , | Leave a comment

All good Viennese come in threes: Dittersdorf, Hoffmeister and Vanhal

With our most recent Urtext edition of Johann Baptist Vanhal’s … Continue reading

Posted in articulation, copy, double bass, Double Bass Concerto (Vanhal), Monday Postings, Tobias Glöckler, Vanhal, Johann Baptist | Tagged , , , | Comments Off on All good Viennese come in threes: Dittersdorf, Hoffmeister and Vanhal

The lord of the low tones – Tobias Glöckler in conversation about Dragonetti’s “Famous Solo”

The double bass entered the Henle publishers’ catalogue a few … Continue reading

Posted in Dittersdorf, Karl Ditters von, double bass, Double Bass Concerto (Dittersdorf), Double Bass Concerto (Hoffmeister), Dragonetti, Domenico, Famous Solo (Dragonetti), Hoffmeister, Franz Anton, Monday Postings, Tobias Glöckler, Urtext | Tagged , , , , , , , , , , | Leave a comment

High time for the low register – the double bass conquers the Henle catalogue

The strings, together with the main instrument, piano, have all … Continue reading

Posted in Dittersdorf, Karl Ditters von, double bass, Double Bass Concerto (Dittersdorf), Double Bass Concerto (Hoffmeister), Dragonetti, Domenico, Famous Solo (Dragonetti), G. Henle Publishers, Hoffmeister, Franz Anton, Monday Postings, Tobias Glöckler, Urtext | Tagged , , , | 1 Comment