Category Archives: Sources

New editions for the clarinet – Brahms and Gade

The clarinet was again featured in our recent editions of … Continue reading

Posted in articulation, autograph, Brahms, Johannes, dynamics, first edition, Monday Postings, piano + clarinet | Tagged , , | 3 Comments

“Lunga e laboriosa fattica” – Attempting to interpret Mozart’s c-minor trio from the String Quartet K 465/iii

When the composer’s autograph manuscript of a music work is … Continue reading

Posted in autograph, Monday Postings, Mozart, Wolfgang Amadeus, string quartet, String Quartet K 465, Urtext | Tagged | 2 Comments

‘But it says in the autograph…’ – on a frequently posed question about our Urtext editions

Are you also one of those manuscript hunters on the … Continue reading

Posted in articulation, autograph, Brahms, Johannes, Monday Postings, Urtext, violin + orchestra, Violin Concerto (Brahms) | Tagged , , , | 4 Comments

B(e) sharp – what would you play in Mozart’s piano variations K. 265?

Mozart over and over again: In the last blog two … Continue reading

Posted in autograph, first edition, Monday Postings, Mozart, Wolfgang Amadeus, piano solo | Tagged , , , | 1 Comment

Tempest – Les Adieux – Hammerklavier. Sense and nonsense regarding the names given to Beethoven’s piano sonatas

It’s so much easier to say “The Tempest”, “Pathétique” and … Continue reading

Posted in autograph, Beethoven, Ludwig van, Composers, first edition, Monday Postings, piano solo, Piano Sonata op. 106 (Beethoven), Piano Sonata op. 31 nr. 2 (Beethoven), Piano Sonata op. 7 (Beethoven), Piano Sonata op. 81a Les Adieux (Beethoven) | Tagged , , | Leave a comment

Small error, large impact! About a repeat sign wandering around “In the Mists”

Leoš Janáček’s magnificent chamber music that we’re publishing in collaboration … Continue reading

Posted in copy, Janácek, Leos, Monday Postings, piano solo, Urtext | Tagged , , | 2 Comments

“I would like to see this piece published soon” – The first edition of Liszt’s arrangement of Wagner’s overture to “Tannhäuser”

The 19th century is rich in artist friendships. That between … Continue reading

Posted in concert paraphrase of the overture to Tannhäuser (Liszt), first edition, Liszt, Franz, Monday Postings, piano solo, Wagner, Richard | Tagged , , , | 1 Comment

Deluxe for the continuo group – Part II: Telemann

It was nearly three years ago, on 17 February 2014, … Continue reading

Posted in copy, first edition, harmonics, Telemann, Georg Philipp, variant reading | Tagged , | Leave a comment

Urtext from A to Z! What you’ll want to know about our new edition of Alexander Zemlinsky’s Clarinet Trio op. 3

With our freshly released Urtext edition of the stunning “Brahmsian” … Continue reading

Posted in first edition, Monday Postings, Trio for Piano, Clarinet and Violoncello op. 3 (Zemlinsky), Zemlinsky, Alexander | Tagged , , , | 1 Comment

Editions also have their histories. The revision of César Franck’s violin sonata

The question of why from time to time editions in … Continue reading

Posted in articulation, autograph, dynamics, first edition, Franck, César, Monday Postings, new source, piano + violin, Urtext, Violin Sonata (Franck), Yehudi Menuhin | Tagged , , | Leave a comment