Category Archives: copy

Small error, large impact! About a repeat sign wandering around “In the Mists”

Leoš Janáček’s magnificent chamber music that we’re publishing in collaboration … Continue reading

Posted in copy, Janácek, Leos, Monday Postings, piano solo, Urtext | Tagged , , | 2 Comments

Deluxe for the continuo group – Part II: Telemann

It was nearly three years ago, on 17 February 2014, … Continue reading

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Haydn’s complete cello concertos at Henle: 3, 8, 5 or 2?

To the question of how many cello concertos Joseph Haydn … Continue reading

Posted in autograph, copy, first edition, Haydn, Joseph, Monday Postings, Urtext, versions, violoncello | Tagged , , | Leave a comment

All good Viennese come in threes: Dittersdorf, Hoffmeister and Vanhal

With our most recent Urtext edition of Johann Baptist Vanhal’s … Continue reading

Posted in articulation, copy, double bass, Double Bass Concerto (Vanhal), Monday Postings, Tobias Glöckler, Vanhal, Johann Baptist | Tagged , , , | Comments Off

What’s new with Liszt’s b-minor sonata

  With barely concealed exasperation Clara Schumann writes on 25 … Continue reading

Posted in accent, autograph, Claudio Arrau, copy, dynamics, facsimile, first edition, Liszt, Franz, Marc-André Hamelin, Monday Postings, new source, notation, piano solo, Piano Sonata b-minor (Liszt), revision, Urtext | Tagged , , , , | Leave a comment

Better late than never: Leoš Janáček at Henle publishers

It is always a special moment whenever a new name … Continue reading

Posted in autograph, copy, first edition, G. Henle Publishers, Janácek, Leos, Mládí (Janácek), Monday Postings, winds | Tagged , , , | Leave a comment

On the lookout for the lost measure: Bach’s C-major Prelude from the Well-Tempered Clavier I

Those in the know among our readers will be aware … Continue reading

Posted in autograph, Bach, Johann Sebastian, copy, Monday Postings, piano solo, Urtext, Well-Tempered Clavier (J.S. Bach) | Tagged , , , | 6 Comments

Sometimes you have to dig deeper! Or: What the violist should really play in Hoffmeister’s concerto.

Most violists groan whenever the names Hoffmeister and Stamitz are … Continue reading

Posted in articulation, copy, dynamics, Hoffmeister, Franz Anton, Monday Postings, piano + viola, Urtext, versions, Viola Concerto (Hoffmeister) | Tagged , , , | Leave a comment