Category Archives: copy

Something new from the low register: At long last, Koussevitzky’s Double Bass Concerto op. 3 in Urtext

Henle catalogue readers in the know are already aware that … Continue reading

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“Latest news about Mozart’s piano sonata in A major, K. 331”

“All good things come in threes” – this phrase came … Continue reading

Posted in copy, Monday Postings, Mozart, Wolfgang Amadeus, new source, piano solo, Piano Sonata K. 331 (W.A. Mozart), Urtext | Tagged | 4 Comments

Excess and empty space: Text variants in Dvořák’s Cello Concerto op. 104

Antonín Dvořák’s Cello Concerto op. 104 may be a special … Continue reading

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The “Picardy” major third in Chopin’s incredibly sad c-sharp minor Nocturne

What a liberating, even redemptive impact that the unexpected major … Continue reading

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Autographs and proofread copies for Ludwig van Beethoven’s piano sonatas – an overview

Editing a Beethoven work solely on the basis of a … Continue reading

Posted in autograph, Beethoven, Ludwig van, copy, first edition, Monday Postings, piano solo, Urtext | Tagged , , | 1 Comment

Small error, large impact! About a repeat sign wandering around “In the Mists”

Leoš Janáček’s magnificent chamber music that we’re publishing in collaboration … Continue reading

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Deluxe for the continuo group – Part II: Telemann

It was nearly three years ago, on 17 February 2014, … Continue reading

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Haydn’s complete cello concertos at Henle: 3, 8, 5 or 2?

To the question of how many cello concertos Joseph Haydn … Continue reading

Posted in autograph, copy, first edition, Haydn, Joseph, Monday Postings, Urtext, versions, violoncello | Tagged , , | 7 Comments

All good Viennese come in threes: Dittersdorf, Hoffmeister and Vanhal

With our most recent Urtext edition of Johann Baptist Vanhal’s … Continue reading

Posted in articulation, copy, double bass, Double Bass Concerto (Vanhal), Monday Postings, Tobias Glöckler, Vanhal, Johann Baptist | Tagged , , , | Comments Off on All good Viennese come in threes: Dittersdorf, Hoffmeister and Vanhal

What’s new with Liszt’s b-minor sonata

  With barely concealed exasperation Clara Schumann writes on 25 … Continue reading

Posted in accent, autograph, Claudio Arrau, copy, dynamics, facsimile, first edition, Liszt, Franz, Marc-André Hamelin, Monday Postings, new source, notation, piano solo, Piano Sonata b-minor (Liszt), revision, Urtext | Tagged , , , , | Leave a comment