Category Archives: Subject

Debussy in Urtext – Part 4: Autograph corrections in chamber-music works

It goes without saying that the focus would be on … Continue reading

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More or less – Bartók’s well-regulated markings of his piano works

To continue my last blog with an overview of our … Continue reading

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Confusion about Chopin’s Scherzi – episode 4

At the beginning of the year I reported on my … Continue reading

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What?! Is it already Christmas now? New Bartók titles at Henle

Of course not, Christmas is out of the question only … Continue reading

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Debussy in Urtext – Part 2: Unclear harmony in the piano piece “Nocturne”

One of the outstanding quality features of the Henle Editions … Continue reading

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No error in the system. In praise of our proofreaders

Today’s blog post is not for once going to be … Continue reading

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“Right”? or “Wrong”? On a questionable note in Mendelssohn’s c-minor Piano Trio op. 66

Occasionally in the edition business there is an insoluble conflict … Continue reading

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Autographs and proofread copies for Ludwig van Beethoven’s piano sonatas – an overview

Editing a Beethoven work solely on the basis of a … Continue reading

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The many footnotes of Rosamunde

All good things come in threes – this is also … Continue reading

Posted in dynamics, first edition, Monday Postings, Rosamunde quartet D 804 (Schubert), Schubert, Franz, string quartet | Tagged , , | Leave a comment

New editions for the clarinet – Brahms and Gade

The clarinet was again featured in our recent editions of … Continue reading

Posted in articulation, autograph, Brahms, Johannes, dynamics, first edition, Monday Postings, piano + clarinet | Tagged , , | 6 Comments