Category Archives: notation

Composing made easy? On Erik Satie’s ‘Nocturnes’

It was not without good reason that the label ‘outsider’ … Continue reading

Posted in autograph, Monday Postings, Nocturnes (Satie), notation, piano solo, Satie, Erik, variant reading | Tagged , , , | Leave a comment

Best until… How long does an accidental last?

Today’s musicians tend to react to the above question with … Continue reading

Posted in Bach, Johann Sebastian, flute solo, Flute Sonata BWV 1030 (J.S. Bach), Monday Postings, notation | Tagged , , , , , , , | 2 Comments

The accent question in Schubert: An old theme with new variations

Anyone working with Schubert’s autographs inevitably runs up sooner or … Continue reading

Posted in accent, Monday Postings, notation, Octet D 803 (Schubert), Schubert, Franz | Tagged , , , , , , , , , , , | 2 Comments

Deluxe for the continuo group

What music do continuo players play from? This question might … Continue reading

Posted in Bach, Johann Sebastian, Monday Postings, notation, Urtext | Tagged , , , | 2 Comments

Why facsimiles, actually?

The blue Urtext editions certainly amount to the lion’s share … Continue reading

Posted in autograph, facsimile, G. Henle Publishers, Monday Postings, notation, Schubert, Franz, Violin Sonata op. 137 (Schubert) | Tagged , , , , , , , , , | Leave a comment

“Hark, Hark! The Joy Inspiring Horn” – Discoveries in Schumann’s Konzertstück, Opus 86

For pianists and string players, especially, the name Henle stands … Continue reading

Posted in autograph, Concert Piece op. 86 (Schumann), first edition, G. Henle Publishers, horn, Monday Postings, notation, Schumann, Robert | Tagged , , , , , , | Leave a comment

A forgery? And if so, by whom? On the closing bars in Mozart’s Wind Quintet K. 452

The autograph of Mozart’s piano quintet for piano and four … Continue reading

Posted in autograph, Monday Postings, Mozart, Wolfgang Amadeus, notation, versions, Wind Quintet K. 452 (W.A. Mozart) | Tagged , | 3 Comments

“Liebestod” revisited – yet more problems in Franz Liszt’s transcription of Wagner

Some time ago we had previously devoted a blog post … Continue reading

Posted in autograph, first edition, Isoldens Liebestod from "Tristan und Isolde" (Wagner/Liszt), Liszt, Franz, Monday Postings, notation, piano solo, transcription, Wagner, Richard | Tagged , , , , , | 2 Comments

“una corda” – “con sord.” – “mit Verschiebung”: How do I ‘mute’ my piano?

Many piano students are not going to believe their eyes … Continue reading

Posted in Beethoven, Ludwig van, Monday Postings, notation, piano solo, Schumann, Robert, Scriabin, Alexander | Tagged , , , , | 3 Comments

Totally, seriously – clearing it out is part of it!

Any of you who not only had a hearty laugh … Continue reading

Posted in autograph, Clarinet Sonata op. 107 (Reger), Monday Postings, notation, piano + clarinet, Reger, Max | Tagged , | Leave a comment