Category Archives: Urtext

“Right”? or “Wrong”? On a questionable note in Mendelssohn’s c-minor Piano Trio op. 66

Posted on February 26, 2018 by Wolf-Dieter Seiffert

Occasionally in the edition business there is an insoluble conflict … Continue reading →

Posted in autograph, first edition, Mendelssohn Bartholdy, Felix, Monday Postings, piano trio, Trio c minor op. 66 (Mendelssohn), Urtext | Tagged , | Leave a comment

Autographs and proofread copies for Ludwig van Beethoven’s piano sonatas – an overview

Posted on December 11, 2017 by Norbert Gertsch

Editing a Beethoven work solely on the basis of a … Continue reading →

Posted in autograph, Beethoven, Ludwig van, copy, first edition, Monday Postings, piano solo, Urtext | Tagged , , | 1 Comment

“Lunga e laboriosa fattica” – Attempting to interpret Mozart’s c-minor trio from the String Quartet K. 465/iii

Posted on October 30, 2017 by Wolf-Dieter Seiffert

When the composer’s autograph manuscript of a music work is … Continue reading →

Posted in autograph, Monday Postings, Mozart, Wolfgang Amadeus, string quartet, String Quartet K 465, Urtext | Tagged | 2 Comments

Viva la música española – Spanish music in Henle Urtext Editions

Posted on October 16, 2017 by Peter Jost

Emerging in the 19th century in nearly all of Europe … Continue reading →

Posted in Albéniz, Isaac, Falla, Manuel de, Monday Postings, Noches en los jardines de España, piano + orchestra, Saraste, Pablo de, Spanische Tänze (Sarasate), transcription, Urtext | Tagged , | Leave a comment

“A Little Spring Melody”– finally in Urtext!

Posted on October 2, 2017 by Norbert Müllemann

Many a reader will be thinking, I must be mistaken … Continue reading →

Posted in arrangement, Dvořák, Antonín, G. Henle Publishers, Humoresques op. 101 (Dvořák), Monday Postings, piano solo, Urtext | Leave a comment

‘But it says in the autograph…’ – on a frequently posed question about our Urtext editions

Posted on September 4, 2017 by Annette Oppermann

Are you also one of those manuscript hunters on the … Continue reading →

Posted in articulation, autograph, Brahms, Johannes, Monday Postings, Urtext, violin + orchestra, Violin Concerto (Brahms) | Tagged , , , | 4 Comments

Small error, large impact! About a repeat sign wandering around “In the Mists”

Posted on May 22, 2017 by Annette Oppermann

Leoš Janáček’s magnificent chamber music that we’re publishing in collaboration … Continue reading →

Posted in copy, Janácek, Leos, Monday Postings, piano solo, Urtext | Tagged , , | 2 Comments

Editions also have their histories. The revision of César Franck’s violin sonata

Posted on November 28, 2016 by Peter Jost

The question of why from time to time editions in … Continue reading →

Posted in articulation, autograph, dynamics, first edition, Franck, César, Monday Postings, new source, piano + violin, Urtext, Violin Sonata (Franck), Yehudi Menuhin | Tagged , , | Leave a comment

Johann Jacob Froberger on his 400th birthday

Posted on November 14, 2016 by Norbert Müllemann

Many Urtext enthusiasts will already have noticed in 2014 that … Continue reading →

Posted in autograph, Froberger, Johann Jacob, measure numbering, Monday Postings, piano solo, Urtext | Tagged , , | 1 Comment

At full length – finally, an Urtext edition of Tchaikovsky’s unabridged Valse-Scherzo

Posted on October 31, 2016 by Dominik Rahmer

Tchaikovsky and the violin – surely everyone first thinks here … Continue reading →

Posted in arrangement, Monday Postings, piano + violin, Tschaikowsky, Peter, Urtext | Tagged , | 1 Comment