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- On Mozart’s ‘second naïveté’ (Alfred Einstein)
- Schönberg’s “Verklärte Nacht” in a special kind of Urtext edition
- Elgar’s Serenade for Strings: spring sunshine garbed in Henle Urtext. Interview with Rupert Marshall-Luck
- Waiting can be worthwhile – On Maurice Ravel’s Piano Concerto in G major
- Christmas Blog Post
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Category Archives: variant reading
Rachmaninoff revises Rachmaninoff. On the two versions of the Second Piano Sonata op. 36
In my last blog posting I went into the genesis … Continue reading
Debussy in Urtext – Part 4: Autograph corrections in chamber-music works
It goes without saying that the focus would be on … Continue reading
Posted in Debussy, Claude, Monday Postings, variant reading
Tagged Debussy, variant reading
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Deluxe for the continuo group – Part II: Telemann
It was nearly three years ago, on 17 February 2014, … Continue reading
Posted in copy, first edition, harmonics, Telemann, Georg Philipp, variant reading
Tagged Continuo, Telemann
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France sets the tone – new Urtext editions in the “blue jersey”
It isn’t only with the European Football Championship 2016 that … Continue reading
A “bad apple” in Camille Saint-Saëns’ 2nd cello sonata?
Saint-Saëns was likely far from the “genius thinking” of romanticism. … Continue reading
“… more or less at the most extreme limit of what can be achieved on the piano”: Busoni arranges Bach
The second edition naming the two composers, Bach · Busoni, … Continue reading
The “parallel passage” – handle with care…
If the ideal goal of a critical Urtext edition may … Continue reading
Posted in articulation, autograph, first edition, Grieg, Edvard, Monday Postings, piano solo, variant reading
Tagged Grieg, Peer Gynt suite, variants
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Tristan at Troldhaugen – interesting finds in Grieg’s “Lyric Pieces”
Among the most popular and successful of Edvard Grieg’s compositions … Continue reading
Posted in autograph, Grieg, Edvard, Lyric Pieces (Grieg), Monday Postings, piano solo, sketches, variant reading
Tagged accidentals, Grieg, piano, variants
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