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	<title>Henle Blog</title>
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	<link>http://www.henle.de/blog/en</link>
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	<lastBuildDate>Mon, 14 May 2012 07:40:29 +0000</lastBuildDate>
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		<title>Debussy: to finger or not to finger…? Why we are adding fingering in the “Études”</title>
		<link>http://www.henle.de/blog/en/2012/05/14/debussy-to-finger-or-not-to-finger%e2%80%a6-why-we-are-adding-fingering-in-the-%e2%80%9cetudes%e2%80%9d/</link>
		<comments>http://www.henle.de/blog/en/2012/05/14/debussy-to-finger-or-not-to-finger%e2%80%a6-why-we-are-adding-fingering-in-the-%e2%80%9cetudes%e2%80%9d/#comments</comments>
		<pubDate>Mon, 14 May 2012 05:00:34 +0000</pubDate>
		<dc:creator>Dominik Rahmer</dc:creator>
				<category><![CDATA[Monday Postings]]></category>
		<category><![CDATA[Chopin]]></category>
		<category><![CDATA[Couperin]]></category>
		<category><![CDATA[Debussy]]></category>
		<category><![CDATA[Études]]></category>
		<category><![CDATA[fingering]]></category>
		<category><![CDATA[Rameau]]></category>

		<guid isPermaLink="false">http://www.henle.de/blog/en/?p=335</guid>
		<description><![CDATA[In summer 1915 in the solitude of Pourville, the small &#8230; <a href="http://www.henle.de/blog/en/2012/05/14/debussy-to-finger-or-not-to-finger%e2%80%a6-why-we-are-adding-fingering-in-the-%e2%80%9cetudes%e2%80%9d/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.henle.de/blog/en/2012/05/14/debussy-to-finger-or-not-to-finger%e2%80%a6-why-we-are-adding-fingering-in-the-%e2%80%9cetudes%e2%80%9d/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How to drive the devil out of a waltz or: Liszt’s Mephisto Waltz for everybody?</title>
		<link>http://www.henle.de/blog/en/2012/04/30/how-to-drive-the-devil-out-of-a-waltz-or-liszt%e2%80%99s-mephisto-waltz-for-everybody/</link>
		<comments>http://www.henle.de/blog/en/2012/04/30/how-to-drive-the-devil-out-of-a-waltz-or-liszt%e2%80%99s-mephisto-waltz-for-everybody/#comments</comments>
		<pubDate>Mon, 30 Apr 2012 06:00:49 +0000</pubDate>
		<dc:creator>Norbert Gertsch</dc:creator>
				<category><![CDATA[Monday Postings]]></category>
		<category><![CDATA[arrangements]]></category>
		<category><![CDATA[Liszt]]></category>
		<category><![CDATA[Mephisto Waltz]]></category>
		<category><![CDATA[Meyendorff]]></category>
		<category><![CDATA[versions]]></category>

		<guid isPermaLink="false">http://www.henle.de/blog/en/?p=319</guid>
		<description><![CDATA[It’s still ringing in your ears, this warhorse for orchestra &#8230; <a href="http://www.henle.de/blog/en/2012/04/30/how-to-drive-the-devil-out-of-a-waltz-or-liszt%e2%80%99s-mephisto-waltz-for-everybody/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.henle.de/blog/en/2012/04/30/how-to-drive-the-devil-out-of-a-waltz-or-liszt%e2%80%99s-mephisto-waltz-for-everybody/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>On the lookout for the lost measure: Bach’s C-major Prelude from the Well-Tempered Clavier I</title>
		<link>http://www.henle.de/blog/en/2012/04/16/on-the-lookout-for-the-lost-measure-bach%e2%80%99s-c-major-prelude-from-the-well-tempered-clavier-i/</link>
		<comments>http://www.henle.de/blog/en/2012/04/16/on-the-lookout-for-the-lost-measure-bach%e2%80%99s-c-major-prelude-from-the-well-tempered-clavier-i/#comments</comments>
		<pubDate>Mon, 16 Apr 2012 06:00:00 +0000</pubDate>
		<dc:creator>Norbert Müllemann</dc:creator>
				<category><![CDATA[Allgemein]]></category>
		<category><![CDATA[Bach]]></category>
		<category><![CDATA[Gounod]]></category>
		<category><![CDATA[Schwencke]]></category>
		<category><![CDATA[Well-Tempered Clavier]]></category>

		<guid isPermaLink="false">http://www.henle.de/blog/en/?p=283</guid>
		<description><![CDATA[Those in the know among our readers will be aware &#8230; <a href="http://www.henle.de/blog/en/2012/04/16/on-the-lookout-for-the-lost-measure-bach%e2%80%99s-c-major-prelude-from-the-well-tempered-clavier-i/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.henle.de/blog/en/2012/04/16/on-the-lookout-for-the-lost-measure-bach%e2%80%99s-c-major-prelude-from-the-well-tempered-clavier-i/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The “Creation” starting from scratch: Joseph Haydn’s sketches in the Complete Edition</title>
		<link>http://www.henle.de/blog/en/2012/04/02/the-%e2%80%9ccreation%e2%80%9d-starting-from-scratch-joseph-haydn%e2%80%99s-sketches-in-the-complete-edition/</link>
		<comments>http://www.henle.de/blog/en/2012/04/02/the-%e2%80%9ccreation%e2%80%9d-starting-from-scratch-joseph-haydn%e2%80%99s-sketches-in-the-complete-edition/#comments</comments>
		<pubDate>Mon, 02 Apr 2012 06:00:31 +0000</pubDate>
		<dc:creator>Annette Oppermann</dc:creator>
				<category><![CDATA[Monday Postings]]></category>
		<category><![CDATA[Complete Edition]]></category>
		<category><![CDATA[Creation]]></category>
		<category><![CDATA[facsimile]]></category>
		<category><![CDATA[genesis]]></category>
		<category><![CDATA[Haydn]]></category>
		<category><![CDATA[sketch]]></category>

		<guid isPermaLink="false">http://www.henle.de/blog/en/?p=246</guid>
		<description><![CDATA[It is probably well enough known that in the G. &#8230; <a href="http://www.henle.de/blog/en/2012/04/02/the-%e2%80%9ccreation%e2%80%9d-starting-from-scratch-joseph-haydn%e2%80%99s-sketches-in-the-complete-edition/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.henle.de/blog/en/2012/04/02/the-%e2%80%9ccreation%e2%80%9d-starting-from-scratch-joseph-haydn%e2%80%99s-sketches-in-the-complete-edition/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Curiosity pays off. The genesis of Maurice Ravel’s piano &#8216;Sonatine&#8217;</title>
		<link>http://www.henle.de/blog/en/2012/03/19/curiosity-pays-off-the-genesis-of-maurice-ravel%e2%80%99s-piano-sonatine/</link>
		<comments>http://www.henle.de/blog/en/2012/03/19/curiosity-pays-off-the-genesis-of-maurice-ravel%e2%80%99s-piano-sonatine/#comments</comments>
		<pubDate>Mon, 19 Mar 2012 07:00:16 +0000</pubDate>
		<dc:creator>Peter Jost</dc:creator>
				<category><![CDATA[Monday Postings]]></category>
		<category><![CDATA[Calvocoressi]]></category>
		<category><![CDATA[competition]]></category>
		<category><![CDATA[genesis]]></category>
		<category><![CDATA[Ravel]]></category>
		<category><![CDATA[Sonatina]]></category>

		<guid isPermaLink="false">http://www.henle.de/blog/en/?p=229</guid>
		<description><![CDATA[In 2011 when I began preparing a new edition of &#8230; <a href="http://www.henle.de/blog/en/2012/03/19/curiosity-pays-off-the-genesis-of-maurice-ravel%e2%80%99s-piano-sonatine/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.henle.de/blog/en/2012/03/19/curiosity-pays-off-the-genesis-of-maurice-ravel%e2%80%99s-piano-sonatine/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How an original Mozart A flat escaped from the dust. On the slow movement of the C- minor Piano Sonata K. 457</title>
		<link>http://www.henle.de/blog/en/2012/03/05/how-an-original-mozart-a-flat-escaped-from-the-dust-on-the-slow-movement-of-the-c-minor-piano-sonata-k-457/</link>
		<comments>http://www.henle.de/blog/en/2012/03/05/how-an-original-mozart-a-flat-escaped-from-the-dust-on-the-slow-movement-of-the-c-minor-piano-sonata-k-457/#comments</comments>
		<pubDate>Mon, 05 Mar 2012 07:00:02 +0000</pubDate>
		<dc:creator>Wolf-Dieter Seiffert</dc:creator>
				<category><![CDATA[Monday Postings]]></category>
		<category><![CDATA[facsimile]]></category>
		<category><![CDATA[Mozart]]></category>
		<category><![CDATA[piano sonata]]></category>
		<category><![CDATA[variants]]></category>

		<guid isPermaLink="false">http://www.henle.de/blog/en/?p=201</guid>
		<description><![CDATA[Very vividly I recall the Mozart sensation of the year &#8230; <a href="http://www.henle.de/blog/en/2012/03/05/how-an-original-mozart-a-flat-escaped-from-the-dust-on-the-slow-movement-of-the-c-minor-piano-sonata-k-457/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.henle.de/blog/en/2012/03/05/how-an-original-mozart-a-flat-escaped-from-the-dust-on-the-slow-movement-of-the-c-minor-piano-sonata-k-457/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>How the (cradle) song ends: what is the final tone of Fauré’s Berceuse?</title>
		<link>http://www.henle.de/blog/en/2012/02/20/the-end-of-the-cradle-song-on-a-variant-reading-in-gabriel-faures-berceuse/</link>
		<comments>http://www.henle.de/blog/en/2012/02/20/the-end-of-the-cradle-song-on-a-variant-reading-in-gabriel-faures-berceuse/#comments</comments>
		<pubDate>Mon, 20 Feb 2012 06:00:23 +0000</pubDate>
		<dc:creator>Dominik Rahmer</dc:creator>
				<category><![CDATA[Monday Postings]]></category>
		<category><![CDATA[Berceuse]]></category>
		<category><![CDATA[Fauré]]></category>
		<category><![CDATA[harmonics]]></category>
		<category><![CDATA[notation]]></category>
		<category><![CDATA[variants]]></category>

		<guid isPermaLink="false">http://www.henle.de/blog/en/?p=173</guid>
		<description><![CDATA[Gabriel Fauré’s Berceuse op. 16, a captivating miniature for violin &#8230; <a href="http://www.henle.de/blog/en/2012/02/20/the-end-of-the-cradle-song-on-a-variant-reading-in-gabriel-faures-berceuse/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.henle.de/blog/en/2012/02/20/the-end-of-the-cradle-song-on-a-variant-reading-in-gabriel-faures-berceuse/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>So, how much bass do you want? Beethoven’s Sextet Op. 81b</title>
		<link>http://www.henle.de/blog/en/2012/02/06/so-how-much-bass-do-you-want-beethoven%e2%80%99s-sextet-op-81b/</link>
		<comments>http://www.henle.de/blog/en/2012/02/06/so-how-much-bass-do-you-want-beethoven%e2%80%99s-sextet-op-81b/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 07:00:24 +0000</pubDate>
		<dc:creator>Annette Oppermann</dc:creator>
				<category><![CDATA[Monday Postings]]></category>
		<category><![CDATA[Beethoven]]></category>
		<category><![CDATA[contrabass]]></category>
		<category><![CDATA[instrumentation]]></category>
		<category><![CDATA[Sextet]]></category>
		<category><![CDATA[violoncello]]></category>

		<guid isPermaLink="false">http://www.henle.de/blog/en/?p=148</guid>
		<description><![CDATA[ Wouldn’t you wonder, too, if you saw a sextet on &#8230; <a href="http://www.henle.de/blog/en/2012/02/06/so-how-much-bass-do-you-want-beethoven%e2%80%99s-sextet-op-81b/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.henle.de/blog/en/2012/02/06/so-how-much-bass-do-you-want-beethoven%e2%80%99s-sextet-op-81b/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>“La dernière pensée musicale de Chopin” – a Sham?</title>
		<link>http://www.henle.de/blog/en/2012/01/23/%e2%80%9cla-derniere-pensee-musicale-de-chopin%e2%80%9d-%e2%80%93-a-sham/</link>
		<comments>http://www.henle.de/blog/en/2012/01/23/%e2%80%9cla-derniere-pensee-musicale-de-chopin%e2%80%9d-%e2%80%93-a-sham/#comments</comments>
		<pubDate>Mon, 23 Jan 2012 07:00:10 +0000</pubDate>
		<dc:creator>Norbert Müllemann</dc:creator>
				<category><![CDATA[Monday Postings]]></category>
		<category><![CDATA[Chopin]]></category>
		<category><![CDATA[Fontana]]></category>
		<category><![CDATA[Franchomme]]></category>
		<category><![CDATA[Mazurka]]></category>
		<category><![CDATA[variants]]></category>
		<category><![CDATA[versions]]></category>

		<guid isPermaLink="false">http://www.henle.de/blog/en/?p=126</guid>
		<description><![CDATA[Mystery swirls around Chopin’s Mazurka in f minor, op. post. &#8230; <a href="http://www.henle.de/blog/en/2012/01/23/%e2%80%9cla-derniere-pensee-musicale-de-chopin%e2%80%9d-%e2%80%93-a-sham/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.henle.de/blog/en/2012/01/23/%e2%80%9cla-derniere-pensee-musicale-de-chopin%e2%80%9d-%e2%80%93-a-sham/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Sometimes you have to dig deeper! Or: What the violist should really play in Hoffmeister&#8217;s concerto.</title>
		<link>http://www.henle.de/blog/en/2012/01/09/sometimes-you-have-to-dig-deeper-or-what-the-violist-should-really-play-in-hoffmeisters-concerto/</link>
		<comments>http://www.henle.de/blog/en/2012/01/09/sometimes-you-have-to-dig-deeper-or-what-the-violist-should-really-play-in-hoffmeisters-concerto/#comments</comments>
		<pubDate>Mon, 09 Jan 2012 07:00:08 +0000</pubDate>
		<dc:creator>Norbert Gertsch</dc:creator>
				<category><![CDATA[Monday Postings]]></category>
		<category><![CDATA[concerto]]></category>
		<category><![CDATA[Hoffmeister]]></category>
		<category><![CDATA[variants]]></category>
		<category><![CDATA[viola]]></category>

		<guid isPermaLink="false">http://www.henle.de/blog/en/?p=104</guid>
		<description><![CDATA[Most violists groan whenever the names Hoffmeister and Stamitz are &#8230; <a href="http://www.henle.de/blog/en/2012/01/09/sometimes-you-have-to-dig-deeper-or-what-the-violist-should-really-play-in-hoffmeisters-concerto/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.henle.de/blog/en/2012/01/09/sometimes-you-have-to-dig-deeper-or-what-the-violist-should-really-play-in-hoffmeisters-concerto/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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