Tag Archives: Fauré

Urtext and Urcontext

In our blog we have certainly already discussed the Urtext … Continue reading

Posted in Fauré, Gabriel, Monday Postings, piano + voice, Schumann, Robert, Urtext | Tagged , , , , | Leave a comment

A manuscript conundrum – the autograph of Gabriel Fauré’s violin sonata, Op. 13

Autograph manuscripts of musical works have an aura all their … Continue reading

Posted in autograph, Fauré, Gabriel, Monday Postings, piano + violin, Urtext, Violin Sonata op. 13 (Fauré) | Tagged , , | Leave a comment

Setting, version, arrangement – how far may Urtext go?

It is part and parcel of the idea of a … Continue reading

Posted in Adagio and Allegro op. 70 (Schumann), Arpeggione Sonata (Schubert), arrangement, Bach, Carl Philipp Emanuel, Gamba Sonatas (Bach), Monday Postings, Schubert, Franz, Urtext | Tagged , , , , , , , | 2 Comments

The crux of sharp or flat: Just enough cautionary accidentals? or are extras o.k., too?

Our editorial department is always receiving queries from users requesting … Continue reading

Posted in Bourrée fantasque (Chabrier), Gnossienne (Satie), Monday Postings, notation, Piano Concerto K. 503 (W.A. Mozart), Piano Sonatina (Ravel), Violin Sonata op. 13 (Fauré) | Tagged , , , , , | 4 Comments

How the (cradle) song ends: what is the final tone of Fauré’s Berceuse?

Gabriel Fauré’s Berceuse op. 16, a captivating miniature for violin … Continue reading

Posted in Berceuse op. 16 (Fauré), Fauré, Gabriel, first edition, Monday Postings, notation, piano + violin | Tagged , , , , | Leave a comment