Tag Archives: Saint-Saëns

Don’t miss a beat! The first movement of Saint-Saëns’ 2nd piano concerto

As editors we are occasionally confronted with questions that at … Continue reading

Posted in autograph, measure numbering, Monday Postings, piano + orchestra, Piano Concerto op. 22 (Saint-Saëns), Saint-Saëns, Camille | Tagged , , , | Leave a comment

France sets the tone – new Urtext editions in the “blue jersey”

It isn’t only with the European Football Championship 2016 that … Continue reading

Posted in articulation, Chausson, Ernest, Fauré, Gabriel, horn, Monday Postings, Morceau de Concert op. 94 (Saint-Saëns), piano + horn, Ravel, Maurice, Saint-Saëns, Camille, variant reading | Tagged , , , , | Leave a comment

Christmas Blog

Dear Reader, we most warmly thank you for your interest … Continue reading

Posted in Monday Postings, Saint-Saëns, Camille | Tagged , | Leave a comment

The lord of the low tones – Tobias Glöckler in conversation about Dragonetti’s “Famous Solo”

The double bass entered the Henle publishers’ catalogue a few … Continue reading

Posted in Dittersdorf, Karl Ditters von, double bass, Double Bass Concerto (Dittersdorf), Double Bass Concerto (Hoffmeister), Dragonetti, Domenico, Famous Solo (Dragonetti), Hoffmeister, Franz Anton, Monday Postings, Tobias Glöckler, Urtext | Tagged , , , , , , , , , , | Leave a comment

Setting, version, arrangement – how far may Urtext go?

It is part and parcel of the idea of a … Continue reading

Posted in Adagio and Allegro op. 70 (Schumann), Arpeggione Sonata (Schubert), arrangement, Bach, Carl Philipp Emanuel, Gamba Sonatas (Bach), Monday Postings, Schubert, Franz, Urtext | Tagged , , , , , , , | 2 Comments