Tag Archives: Schumann

Autumnal thoughts on “Buntes Blatt” in f-sharp minor by Robert Schumann

A little birthday gift for András Schiff (December 2016) Coloured … Continue reading

Posted in Bunte Blätter op. 99 (Schumann), harmonics, piano solo, Schumann, Robert | Tagged , , | Leave a comment

Urtext and Urcontext

In our blog we have certainly already discussed the Urtext … Continue reading

Posted in Fauré, Gabriel, Monday Postings, piano + voice, Schumann, Robert, Urtext | Tagged , , , , | Leave a comment

Where does the key/clef go? About a problematic passage in Schumann’s F-major string quartet

Fans of the humourist Wilhelm Busch will certainly be reminded … Continue reading

Posted in autograph, first edition, Monday Postings, Schumann, Robert, string quartet, String Quartet op. 41 Nr. 2 (Schumann), variant reading | Tagged , , , , , , , , , | Leave a comment

Why facsimiles, actually?

The blue Urtext editions certainly amount to the lion’s share … Continue reading

Posted in autograph, facsimile, G. Henle Publishers, Monday Postings, notation, Schubert, Franz, Violin Sonata op. 137 (Schubert) | Tagged , , , , , , , , , | Leave a comment

“Hark, Hark! The Joy Inspiring Horn” – Discoveries in Schumann’s Konzertstück, Opus 86

For pianists and string players, especially, the name Henle stands … Continue reading

Posted in autograph, Concert Piece op. 86 (Schumann), first edition, G. Henle Publishers, horn, Monday Postings, notation, Schumann, Robert | Tagged , , , , , , | 1 Comment

Ossia and Da Capo – Confusion in Schumann’s Papillons, Op. 2

Sometimes a conundrum can’t be solved, even when the source … Continue reading

Posted in Alfred Cortot, autograph, Claudio Arrau, dynamics, first edition, Jörg Demus, Monday Postings, Papillons op. 2 (Schumann), piano solo, Schumann, Robert, Sviatoslav Richter, variant reading, Wilhelm Kempff | Tagged , , , | Leave a comment

Correction or interpretation? – Johannes and Clara alter Robert’s music

Anyone practicing Robert Schumann’s In der Nacht, the fifth number … Continue reading

Posted in Brahms, Johannes, Fantasy Pieces op. 12 (Schumann), Monday Postings, piano solo, Schumann, Clara, Schumann, Robert, variant reading | Tagged , , | Leave a comment

Setting, version, arrangement – how far may Urtext go?

It is part and parcel of the idea of a … Continue reading

Posted in Adagio and Allegro op. 70 (Schumann), Arpeggione Sonata (Schubert), arrangement, Bach, Carl Philipp Emanuel, Gamba Sonatas (Bach), Monday Postings, Schubert, Franz, Urtext | Tagged , , , , , , , | 2 Comments

What’s the shelf life of Urtext? Revising at Henle publishers

When you look carefully at our recent publications you’ll also … Continue reading

Posted in Ballades (Chopin), Beethoven, Ludwig van, Brahms, Johannes, Chopin, Frédéric, G. Henle Publishers, Grand Fugue op. 134 (Beethoven), Monday Postings, Mozart, Wolfgang Amadeus, new source, revision, Schumann, Robert, Toccata op. 7 (Schumann), Urtext | Tagged , , , , , | Leave a comment

Will versus Caprice. On the the closing measures of Robert Schumann’s C-major Fantasy op. 17

What you can see here is the last page of … Continue reading

Posted in autograph, Fantasy op. 17 (Schumann), Monday Postings, piano solo, Schumann, Robert, variant reading | Tagged , , | 3 Comments