Tag Archives: Schumann

Where does the key/clef go? About a problematic passage in Schumann’s F-major string quartet

Fans of the humourist Wilhelm Busch will certainly be reminded … Continue reading

Posted in Monday Postings | Tagged , , , , , , , , , | Leave a comment

Why facsimiles, actually?

The blue Urtext editions certainly amount to the lion’s share … Continue reading

Posted in Monday Postings | Tagged , , , , , , , , , | Leave a comment

“Hark, Hark! The Joy Inspiring Horn” – Discoveries in Schumann’s Konzertstück, Opus 86

For pianists and string players, especially, the name Henle stands … Continue reading

Posted in Monday Postings | Tagged , , , , , , | 1 Comment

Ossia and Da Capo – Confusion in Schumann’s Papillons, Op. 2

Sometimes a conundrum can’t be solved, even when the source … Continue reading

Posted in Monday Postings | Tagged , , , | Leave a comment

Correction or interpretation? – Johannes and Clara alter Robert’s music

Anyone practicing Robert Schumann’s In der Nacht, the fifth number … Continue reading

Posted in Monday Postings | Tagged , , | Leave a comment

Setting, version, arrangement – how far may Urtext go?

It is part and parcel of the idea of a … Continue reading

Posted in Monday Postings | Tagged , , , , , , , | 2 Comments

What’s the shelf life of Urtext? Revising at Henle publishers

When you look carefully at our recent publications you’ll also … Continue reading

Posted in Monday Postings | Tagged , , , , , | Leave a comment

Will versus Caprice. On the the closing measures of Robert Schumann’s C-major Fantasy op. 17

  What you can see here is the last page … Continue reading

Posted in Monday Postings | Tagged , , | 3 Comments

“Rock” or “stone”? Schumann’s text changes in “Liederkreis” op. 39 on poems by Joseph von Eichendorff

You know the Lorelei? You know that from the high … Continue reading

Posted in Monday Postings | Tagged , , , | Leave a comment