Tag Archives: Schumann

Setting, version, arrangement – how far may Urtext go?

It is part and parcel of the idea of a … Continue reading

Posted in Adagio and Allegro op. 70 (Schumann), Arpeggione Sonata (Schubert), arrangement, Bach, Carl Philipp Emanuel, Gamba Sonatas (Bach), Monday Postings, Schubert, Franz, Urtext | Tagged , , , , , , , | 2 Comments

What’s the shelf life of Urtext? Revising at Henle publishers

When you look carefully at our recent publications you’ll also … Continue reading

Posted in Ballades (Chopin), Beethoven, Ludwig van, Brahms, Johannes, Chopin, Frédéric, G. Henle Publishers, Grand Fugue op. 134 (Beethoven), Monday Postings, Mozart, Wolfgang Amadeus, new source, revision, Schumann, Robert, Toccata op. 7 (Schumann), Urtext | Tagged , , , , , | Leave a comment

Will versus Caprice. On the the closing measures of Robert Schumann’s C-major Fantasy op. 17

What you can see here is the last page of … Continue reading

Posted in autograph, Fantasy op. 17 (Schumann), Monday Postings, piano solo, Schumann, Robert, variant reading | Tagged , , | 7 Comments

“Rock” or “stone”? Schumann’s text changes in “Liederkreis” op. 39 on poems by Joseph von Eichendorff

You know the Lorelei? You know that from the high … Continue reading

Posted in autograph, first edition, Liederkreis op. 39 (Schumann), Monday Postings, piano + voice, Schumann, Robert | Tagged , , , | Leave a comment