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Recent Posts
- On Mozart’s ‘second naïveté’ (Alfred Einstein)
- Schönberg’s “Verklärte Nacht” in a special kind of Urtext edition
- Elgar’s Serenade for Strings: spring sunshine garbed in Henle Urtext. Interview with Rupert Marshall-Luck
- Waiting can be worthwhile – On Maurice Ravel’s Piano Concerto in G major
- Christmas Blog Post
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Tag Archives: urtext
Where does the key/clef go? About a problematic passage in Schumann’s F-major string quartet
Fans of the humourist Wilhelm Busch will certainly be reminded … Continue reading
The lord of the low tones – Tobias Glöckler in conversation about Dragonetti’s “Famous Solo”
The double bass entered the Henle publishers’ catalogue a few … Continue reading
Posted in Dittersdorf, Karl Ditters von, double bass, Double Bass Concerto (Dittersdorf), Double Bass Concerto (Hoffmeister), Dragonetti, Domenico, Famous Solo (Dragonetti), Hoffmeister, Franz Anton, Monday Postings, Tobias Glöckler, Urtext
Tagged Dittersdorf, Double bass, Dragonetti, Famous solo, Hoffmeister, orchestral tuning, Saint-Saëns, solo tuning, Tobias Glöckler, urtext, Viennese tuning
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Deluxe for the continuo group
What music do continuo players play from? This question might … Continue reading
Posted in Bach, Johann Sebastian, Monday Postings, notation, Urtext
Tagged Bach, basso continuo, HN 554, urtext
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D or C♯? What does Ravel want the violinist to play in “Tzigane”?
Maurice Ravel’s concert rhapsody “Tzigane” is known to exist in … Continue reading
Posted in autograph, Chantal Juillet, Monday Postings, Pascal Rogé, piano + violin, Ravel, Maurice, variant reading
Tagged "Tzigane", HN 587, Ravel, urtext, variants, violin
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Totally, seriously – clearing it out is part of it!
Any of you who not only had a hearty laugh … Continue reading
Posted in autograph, Clarinet Sonata op. 107 (Reger), Monday Postings, notation, piano + clarinet, Reger, Max
Tagged Reger, urtext
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‘Silent Night’ revisited
A blog entry on 24 December – how could it … Continue reading
How much verbal text can music tolerate?
A serious scholarly book publication can be recognized by the … Continue reading →