Keyboard instruments > Piano solo

Wolfgang Amadeus Mozart

Piano Sonata A major K. 331 (300i) (with Alla Turca)

編集者: Ernst Herttrich
指使い: Hans-Martin Theopold

6.00 €

Urtext Edition, paperbound
Detailed critical commentary
(not available in the printed editions)
available free-of-charge: Download

ページ: 23 (V, 18), 大きさ 23,5 x 31,0 cm
注文番号 HN 50

難易度 (Piano): 中くらい (等級 5/6)

The A major Sonata has always been one of Mozart’s best-loved works. It begins with an intimate and elegant theme and variations movement marked Andante grazioso. Thus this composition differs from a usual sonata, as it has not a single movement in sonata form but is more akin to the divertimento form. Yet even here the movements are bound together by strong melodic and formal affinities. It is no accident that the end of the variation theme is repeated note by note at the end of the minuet, that the crossing of hands in the trio of the minuet is anticipated in variation IV, that the key of the finale (A minor) is prefigured in variation III, and that the ritornello of this famous Turkish march finale in A major is alluded to in measures 5 and 6 of the allegro variation. The irregular phrase-structure of the minuet is typically Mozartian. The double octaves in measures 20 24 of the minuet trio make pianistic demands unusual for Mozart’s time; this is the only occasion Mozart prescribes them in his piano sonatas. The delightful Rondo alla turca, with its limitation of Turkish music in the A major section, is justly famous. Here Mozart anticipated the “Turkish pedal”, an inbuilt percussion stop frequently found in Viennese pianos after 1800. An early fortepiano with a percussion stop is an ideal instrument for the interpretation of this sonata.

Paul and Eva Badura-Skoda

More information

Suggested viewing on YouTube: Wilhelm Backhaus, movements 1-3

Audio example: Maria João Pires
Deutsche Grammophon 028947752004GB6

0050.mp3

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