Fantasia and Fugue on B-A-C-H op. 46
編集者: Michael Kube
Urtext Edition, paperbound
ページ: 39 (VII, 32), 大きさ 31,0 x 23,5 cm
注文番号 HN 760 · ISMN 979-0-2018-0760-7
“For me, Sebastian Bach is the be-all and end-all of music; true progress lies and resides in him alone.” It was with these programmatic words that Max Reger prefaced his answer to a survey “What does Johann Sebastian Bach mean to me, and what is his significance for our time?”, posed by the editors of a magazine in 1905. Reger had already proven his adoration of Bach with his magnificent homage to the composer, written and published in 1900 and probably the best-known of his works for organ. It is an established work in the concert repertoire of well-known virtuosi, but is also increasingly being performed by ambitious church musicians. Henle has now published this sea of notes and performance directions in an edition with a particularly clear and readable text.
[Kirchenmusik im Bistum Trier, 2014]
Esta nueva editción es ampliamente cuidada en todos sus detalles, destacando las marcas metronómicas y de dinámica (también en el pedal). Muy interesantes son el Prefacio y los Comentarios (a cargo de Miachel Kube).
[Doce Notas, 2007]