Ysaÿe, Eugène
Six Sonatas op. 27 for Violin solo
編集者: Norbert Gertsch
指使いバイオリン: Eugène Ysaÿe
前書き: Michel Stockhem
25.50 €
Urtext Edition, paperbound
ページ: 68 (XII, 56), 大きさ 23,5 x 31,0 cm
注文番号 HN 776 · ISMN M-2018-0776-8
First came Johann Sebastian Bach’s sonatas and partitas, then Nicolò Paganini’s caprices. Now, with the op. 27 sonatas of Eugène Ysaÿe, the key works in the repertoire for unaccompanied violin are available in urtext editions from Henle. Ysaÿe peppered these challenging works with extraordinary difficulties, dedicating each of them to a virtuoso violinist of his day and tailoring it to suit his special capabilities. Thanks to newly discoveredsource material, we are able to present a “definitive text” that in many respects supersedes the previously available text from the first edition.
論評
Ysaÿe hätte sich sicher gefreut, dass ein solch kompetenter Interpret dieser Stücke, wie F. P. Zimmermann sich mit der Neuausgabe beschäftigt hat. In der ersten Ausgabe, die zwar von Ysaÿe freigegeben war, waren spätere Korrekturen von ihm nicht mehr berücksichtigt; dies ist jetzt nachgeholt … Sehr dankbar für die Henle-Ausgabe sind alle Geiger, die nicht beim ersten Lesen schon alles auswendig behalten können, über die eingeklappten dritten Seiten, die einem das Wenden unterwegs, mitten in der Musik, ersparen.
[ESTA–Nachrichten, 2004]
内容
- Six Sonatas for Violin solo op. 27
-
Sonata no. 1 op. 27
難易度 (Violin): 難しい (等級 8)この難易度のまた別の見出し » -
Sonata no. 2 op. 27
難易度 (Violin): 難しい (等級 7)この難易度のまた別の見出し » -
Sonata no. 3 op. 27
難易度 (Violin): 難しい (等級 7)この難易度のまた別の見出し » -
Sonata no. 4 op. 27
難易度 (Violin): 難しい (等級 7)この難易度のまた別の見出し » -
Sonata no. 5 op. 27
難易度 (Violin): 難しい (等級 9)この難易度のまた別の見出し » -
Sonata no. 6 op. 27
難易度 (Violin): 難しい (等級 8)この難易度のまた別の見出し »
The levels of difficulty of the
music for violin published by G. Henle Publishers
| 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 |
|---|---|---|---|---|---|---|---|---|
| やさしい | 中くらい | 難しい | ||||||
The levels of difficulty of the violin music published by G. Henle Publishers
| Level | Degree | Example |
|---|---|---|
| 1 | easy | Beethoven, 6 German Dances WoO 42 |
| 2 | Beethoven, Rondo G major WoO 41 |
|
| 3 | Mozart, Violin Sonata F major KV 547 |
|
| 4 | medium | Haydn, Violin Concerto A major Hob. VIIa:3 |
| 5 | Bach, Violin Concerto a minor BWV 1041 |
|
| 6 | Brahms, Violin Sonata G major op. 78 |
|
| 7 | difficult | Paganini, No. 9 from Capricci op. 1 |
| 8 | Beethoven, Violin Concerto D major op. 61 |
|
| 9 | Berg, Violin Concerto |
I have assigned all of the violin music in G. Henle Publishers' catalogue a level of difficulty, ranging from "very easy" to "very difficult". The model for this was the evaluation system with nine levels developed for Henle's piano catalogue by Rolf Koenen. Unlike the works for solo piano, I have decided against evaluations that lie between two levels (e.g. 4/5 or 7/8).
This kind of attempt will always be "relative" to some degree. While the work remains the work, what is relative is the technical and musical ability of the player. Let us take a look at Mozart, for example, from the perspective of an Arthur Grumiaux and from that of a very young pupil. It is clear to whom my levels of difficulty are addressed: to the pupils or their teacher. I have, of course, always endeavoured to objectively assess the purely technical level of difficulty. But everything "between the lines" is, of course, left up to the judgement of each individual musician. Depending on our abilities, we perceive the "difficulty" of a work for violin differently, yet with the same conviction.
At the start, categorizing violin literature into levels of difficulty from 1 to 9 seemed to carry a certain risk as well as being unknown territory, yet I have now gained a deep insight into all of the works for violin in G. Henle Publishers' catalogue.
Ernst Schliephake © 2013