String instruments > Violin and Piano
Saint-Saens, Camille
Violin Concerto no. 3 b minor op. 61
編集者: Peter Jost
ピアノ用スコア: Johannes Umbreit
指使いバイオリン: Ernst Schliephake
26.00 €
Urtext Edition, Piano reduction, paperbound
with marked and unmarked string parts
ページ: 89 (VI, 45, 19, 19), 大きさ 23,5 x 31,0 cm
注文番号 HN 712 · ISMN M-2018-0712-6
難易度 (Violin): 難しい (等級 8)
Now, for the first time, Henle publishes an urtext edition of this famous violin concerto (it is also the first German edition). The detailed preface provides exhaustive information on the work‘s genesis and sources. Ernst Schliephake has sought the advice of Ruggiero Ricci for the fingering and bowing marks, and Johannes Umbreit has revised the composer‘s estimable piano reduction to make it more play-able and to meet the main requirement of an urtext edition: maximum fidelity to the original orchestral score.
Audio example: Itzhak Perlman
Deutsche Grammophon 028944722628GBA2
論評
A scholarly Preface written in Henle´s usual fastidious manner indicates that the autograph and the first edition of the score have been taken as the two main sources for this Urtext edtion. Phrasing and slurring remains faithful to the old Durand edtion and Ernest Schliephake offers bowing suggestions that are workable and appropriate for the most part.
[Stringendo]
The levels of difficulty of the
music for violin published by G. Henle Publishers
| 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 |
|---|---|---|---|---|---|---|---|---|
| やさしい | 中くらい | 難しい | ||||||
The levels of difficulty of the violin music published by G. Henle Publishers
| Level | Degree | Example |
|---|---|---|
| 1 | easy | Beethoven, 6 German Dances WoO 42 |
| 2 | Beethoven, Rondo G major WoO 41 |
|
| 3 | Mozart, Violin Sonata F major KV 547 |
|
| 4 | medium | Haydn, Violin Concerto A major Hob. VIIa:3 |
| 5 | Bach, Violin Concerto a minor BWV 1041 |
|
| 6 | Brahms, Violin Sonata G major op. 78 |
|
| 7 | difficult | Paganini, No. 9 from Capricci op. 1 |
| 8 | Beethoven, Violin Concerto D major op. 61 |
|
| 9 | Berg, Violin Concerto |
I have assigned all of the violin music in G. Henle Publishers' catalogue a level of difficulty, ranging from "very easy" to "very difficult". The model for this was the evaluation system with nine levels developed for Henle's piano catalogue by Rolf Koenen. Unlike the works for solo piano, I have decided against evaluations that lie between two levels (e.g. 4/5 or 7/8).
This kind of attempt will always be "relative" to some degree. While the work remains the work, what is relative is the technical and musical ability of the player. Let us take a look at Mozart, for example, from the perspective of an Arthur Grumiaux and from that of a very young pupil. It is clear to whom my levels of difficulty are addressed: to the pupils or their teacher. I have, of course, always endeavoured to objectively assess the purely technical level of difficulty. But everything "between the lines" is, of course, left up to the judgement of each individual musician. Depending on our abilities, we perceive the "difficulty" of a work for violin differently, yet with the same conviction.
At the start, categorizing violin literature into levels of difficulty from 1 to 9 seemed to carry a certain risk as well as being unknown territory, yet I have now gained a deep insight into all of the works for violin in G. Henle Publishers' catalogue.
Ernst Schliephake © 2013