Keyboard instruments > Piano solo
Isaac Albéniz
Iberia · Second Book
Editor: Norbert Gertsch
33.95 $
Urtext Edition, paperbound
Pages: 54 (VIII, 46), Size 23,5 x 31,0 cm
Order no. HN 648 · ISMN M-2018-0648-8
The first book of Albéniz’ four-part cycle “Iberia” has already been published in an acclaimed Henle Urtext edition and many pianists are now eagerly awaiting the remaining ones. The second book in this collection of melodious portraits of Spanish places is now available. In “Rondeña”, “Almería” and “Triana” Albéniz once again fuses his knowledge of European classical music with elements of Spanish folk music, although he hardly ever directly cites the latter, but rather reinvents it in an authentic manner. The rhythmic and colourful effects will delight both players and listeners.
« BackOrder this item now directly via our partner Hal Leonard»
Add to wish list »Added to wish list »
Reviews
Der Notensatz ist lobenswert übersichtlich und es gibt vor Ort hilfreiche Erläuterungen, die eine Einstudierung ohne lästiges Nachschlagen ermöglichen.
[Neue Musikzeitung, 2010]
El mayor logro es la fusión que hace de diferentes fuentes, ediciones y de las correcciones del compositor no incluidas anteriormente. Es un texto ideal, que si bien nunca existió, resulta más aclarador y completo. … Un valcío colmado.
[Doce Notas, 2008]
Non più appannaggio esclusivo degli spagnoli, dunque, il lascito di Albéniz trova collocazione nell’ambito di prestigiose Urtextausgabe internazionali per cercare spazio fra interpreti dell’intero globo …
[Giornale della Musica, 2007]
De nieuwe Urtext is zonder meer een fenomenale prestatie. De complexiteit is vertaald naar een goed leesbare partituur, aangevuld met een uitgebreide bronvermelding en een verklarende tabel van voordrachts- en tempoaanduidingen.
[Pianowereld, 2007]
Contents
- Iberia · Second Book
-
Rondeña
Level of difficulty (Piano): difficult (Level 7)Other titles with this level of difficulty » -
Almería
Level of difficulty (Piano): difficult (Level 7)Other titles with this level of difficulty » -
Triana
Level of difficulty (Piano): difficult (Level 8/9)Other titles with this level of difficulty »
The levels of difficulty of the
piano music published by G. Henle Publishers
| 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 |
|---|---|---|---|---|---|---|---|---|
| easy | medium | difficult | ||||||
The levels of difficulty of the piano music published by G. Henle Publishers
| Level | Grade | Example |
|---|---|---|
| 1 | easy | Bach, Notebook for Anna Magdalena Bach, nos. 4 and 5 |
| 2 | Bach, Well-Tempered Clavier I, no. 1 Prelude C major | |
| 3 | Beethoven, Piano Sonatas op. 49,1 and 2 | |
| 4 | medium | Grieg, Lyric Pieces op. 12, no. 4 |
| 5 | Schumann, Fantasy Pieces op. 12, no. 1 | |
| 6 | Chopin, Nocturnes op. 27, nos. 1 and 2 | |
| 7 | difficulty | Beethoven, Piano Sonata op. 10, no. 3 |
| 8 | Beethoven, Piano Sonata op. 81a | |
| 9 | Schumann, Toccata op. 7 |
Guide to the levels of difficulty
"I don't know what 'difficult' means. Either you can play or you can't" – this was the rather terse comment by the great violinist Nathan Milstein, on being asked about the unbelievable difficulty of Niccolo Paganini's Caprice no. 1.
The relativity of the evaluation of difficulty in music immediately becomes clear. Yet I gladly take up this great challenge, presented to me by G. Henle Publishers. For I am aware of how useful a guide like this can be, both from my own experience as well as that of many colleagues. In particular so as to be able to identify "appropriate" works. For example for music teachers, who teach at very different levels, from beginners to those preparing for music conservatories, but also for all those interested amateurs for whom this guide is intended.
After careful deliberation I have settled on nine levels of difficulty, which I have divided into three groups: 1–3 (easy), 4–6 (medium), 7–9 (difficult). A number of parameters have been considered when assessing the level of difficulty. I have not just looked at the number of fast or slow notes to be played, or the chord sequences; of central importance are also the complexity of the piece's composition, its rhythmic complexities, the difficulty of reading the text for the first time, and last but not least, how easy or difficult it is to understand its musical structure. I have defined "piece" as being the musical unit of a sonata, or a single piece in a cycle, which is why Bach's "Well-Tempered Clavier" Part I comprises a total of 48 levels of difficulty (each prelude and fugue is considered separately), Schumann's Sonata in f sharp minor op.11 only has a single number. My assessment is measured by the ability to prepare a piece for performance.
While assessing the pieces, it became clear that the medium level of difficulty (4–6) is the trickiest. Now and again this means that a piece is judged as a "3/4", even if it only deserved a "3" as far as piano technique is concerned. An example of such a "borderline" case (easy/medium) is Schumann's "Scenes from Childhood" op. 15 Von fremden Ländern und Menschen or at the other end "6/7" part of Bach's "English Suites". And of course within a main category there are also "from-to" evaluations (e.g. 7/8).
Any evaluation of art or music will always be subjective, even if the aim was to be objective. Despite the fact that I have endeavoured to be as careful as possible, I am all too aware that the results of my work can be called into question, and am therefore grateful for any suggestions you might have.
Prof. Rolf Koenen © 2010