Category Archives: Instrumentation

Dont worry, be happy – the first critical Urtext edition of etudes by Jakob Dont

Every violinist is most likely acquainted with them from violin … Continue reading

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An insightful correction in Mozart’s autograph of the String Quartet in C major K. 170

In a few weeks a long-cherished dream of mine will … Continue reading

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Froberger – retrospectively and prospectively

How time flies! – this hardly original realisation came to … Continue reading

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What did the composer want? On a strange measure in Saint-Saëns’ Romance for Flute op. 37

Anyone who compares the edition currently on the market of … Continue reading

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The other type of sources: Letters about Max Bruch’s “Kol Nidrei”

An Urtext edition – and not just only from Henle … Continue reading

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Schumann revisited – about an odd accidental in the Fantasiestücke, op. 73

We report as a rule in our blog posts on … Continue reading

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Is that still Urtext? On an often played variant in Sarasate’s “Carmen Fantasy”

To this day, the success of a new stage work … Continue reading

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Version alert! Or: Did Brahms ever revise his Horn Trio?

A few days ago a customer enquiry momentarily gave me … Continue reading

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Ten at a stroke – Scriabin’s piano sonatas in one volume

Many a Henle fan familiar with our catalog will know … Continue reading

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An unaccountable (?) fermata notation in Mozart’s string quartet K. 428

That Mozart, when writing carefully, graphically distinguishes between the dot … Continue reading

Posted in accent, Monday Postings, Mozart, Wolfgang Amadeus, string quartet | Tagged , | 7 Comments