Search
Subscribe2
-
Recent Posts
- On Mozart’s ‘second naïveté’ (Alfred Einstein)
- Schönberg’s “Verklärte Nacht” in a special kind of Urtext edition
- Elgar’s Serenade for Strings: spring sunshine garbed in Henle Urtext. Interview with Rupert Marshall-Luck
- Waiting can be worthwhile – On Maurice Ravel’s Piano Concerto in G major
- Christmas Blog Post
Tags
accidentals arrangements autograph Bach Bartók Beethoven Brahms Carnival Chopin Christmas clarinet Complete Edition Debussy Double bass Dvorak facsimile Fauré first edition genesis Haydn Hoffmeister horn instrumentation Liszt Mendelssohn Mozart notation piano piano concerto piano sonata Préludes Rachmaninoff Ravel revision Saint-Saëns Schubert Schumann Scriabin string quartet urtext variants variations versions viola Violin Sonata
Category Archives: Urtext
Haydn’s complete cello concertos at Henle: 3, 8, 5 or 2?
To the question of how many cello concertos Joseph Haydn … Continue reading
Posted in autograph, copy, first edition, Haydn, Joseph, Monday Postings, Urtext, versions, violoncello
Tagged authenticity, Haydn, Violoncello Concerto
7 Comments
Anton Webern: Now also “in blue”!
We are always welcoming new composers to our Henle catalogue. … Continue reading
A Henle customer suggests corrections to the text of Max Reger’s 2nd Cello Suite. How do we as publishers respond to this?
Today, a brief but we hope all the more valuable … Continue reading
Henry Vieuxtemps’s 5th Violin Concerto newly outfitted – Interview with Marie Cornaz and Ray Iwazumi
Among the just about one hundred compositions that the violin … Continue reading
From zero to a hundred in seven years: Beethoven’s wind chamber music at Henle publishers
The fact that the winds first found their way into … Continue reading
Posted in Beethoven, Ludwig van, clarinet, Flute Duo WoO 26 (Beethoven), G. Henle Publishers, horn, Marsch WoO 29 (Beethoven), Monday Postings, oboe, Quintet E flat major op. 16 (Beethoven), Sextet op. 81b (Beethoven), Three Duos WoO 27 for Clarinet and Bassoon (Beethoven), Three Equali for four Trombones WoO 30 (Beethoven), Urtext, winds
Tagged study score, urtext
1 Comment
What’s new with Liszt’s b-minor sonata
With barely concealed exasperation Clara Schumann writes on 25 … Continue reading
Urtext and Urcontext
In our blog we have certainly already discussed the Urtext … Continue reading
Posted in Fauré, Gabriel, Monday Postings, piano + voice, Schumann, Robert, Urtext
Tagged Fauré, Justinus Kerner, Schumann, songs, urtext
1 Comment
“Please don’t play it as it’s written in the music!” – Urtext and playability
A music-lesson scene that we all recall most reluctantly: A … Continue reading
Posted in Mahler, Gustav, Monday Postings, notation, Piano quartet (Mahler), Urtext
Tagged Mahler, notation, piano quartet
Leave a comment
The music world will sit up and take notice! On the new Urtext edition of Mozart’s Piano Sonata in A Major KV 331
You presumably know Mozart’s A-major Piano Sonata KV 331 (with … Continue reading
The melancholy horn – a short excursion into the monumental realm of Russian music
The repertoire of the G. Henle publishing house is traditionally … Continue reading
Posted in Élégie op. 44 (Glasunow), G. Henle Publishers, Glasunow, Alexander, Monday Postings, Mussorgsky, Modest, piano + horn, piano + viola, Rachmaninoff, Sergei, Rêverie op. 24 (Glasunow), Scriabin, Alexander, Urtext
Tagged Élégie, Glazunov, horn, Mussorgsky, Rachmaninoff, Rêverie, Russia, Scriabin, Tchaikovsky, viola
Leave a comment