The Liederkreis op. 39, first published in 1842, remains one of Schumann’s most important song cycles to this day, and not only because of the famous “Mondnacht”. Eight years later, Schumann revised his work for a new edition, also replacing the opening piece in the first edition (“Der frohe Wandersmann”) with the song “In der Fremde”. The Henle Urtext edition offers both versions in their entirety, thereby providing a wonderful opportunity to study Schumann’s later work on the music. The two editions for medium and low voice complement the original version for high voice (HN 550) – and as always with Schumann, in well-planned transpositions by the experienced song accompanist Gerold Huber.
目录/详情
- Version 1850 op. 39
- In der Fremde "Aus der Heimat hinter den Blitzen rot" op. 39,1
- Intermezzo op. 39,2
- Waldesgespräch op. 39,3
- Die Stille op. 39,4
- Mondnacht op. 39,5
前言
Robert Schumann’s (1810 – 56) Liederkreis op. 39, which sets poems by Joseph Freiherr von Eichendorff, is the only one of the composer’s song cycles to exist in two printed versions authorised by him: the first edition of 1842 published by Haslinger in Vienna was followed in 1850 by a so-called new edition from Friedrich Whistling in Leipzig. Schumann’s … 更多
版本评注
关于作曲家
Robert Schumann
Connected with his oeuvre is the term he coined, Poetic Music, with which he strove for a fusion of literature and music, a paradigm particularly seen in his lyric piano pieces prior to 1839. Thereafter he devoted himself to other genres (song, symphony, chamber music, among others).
| 1810 | Born in Zwickau on June 8, the son of a bookdealer. |
| from 1828 | Studies law in Leipzig, piano with Friedrich Wieck. Decision to pursue a career in music. |
| 1830–39 | He exclusively composes piano works, mostly cycles, including “Papillons,” Op. 2 (1829–32); “Carnaval,” Op 9 (1834/35); “Davidsbündlertänze,” Op. 6 (1837); “Kinderszenen” (“Scenes from Childhood”), Op. 15 (1837/38); “Kreisleriana,” Op. 16 (1838); “Noveletten,” Op. 21 (1838). |
| 1832 | A paralysis of a finger in his right hand makes a career as a pianist impossible. Founding in 1833 of the fantasy brotherhood the “Davidsbund” (“League of David”). |
| 1835–44 | Editor of the Neue Zeitschrift für Musik (New Journal of Music). |
| 1840 | Marriage to Clara Wieck; 138 songs, including the Eichendorff Liederkreis, Op. 39; the song cycle “Dichterliebe,” Op. 48 |
| 1841 | Symphony No. 1 in B-flat major (“Spring” Symphony), Op. 38, and Symphony No. 4 in D minor, Op. 120. |
| 1842 | Three string quartets, Op. 41; further chamber music. |
| 1843 | Teacher of composition at the Leipzig Conservatory. Oratorio “Paradise and the Peri,” Op. 50. |
| 1845 | He settles in Dresden. Journey to Russia. |
| 1845 | Piano Concerto in A minor, Op. 54, Symphony No. 2 in C major, Op. 61. |
| 1850 | City music director in Düsseldorf. Premiere in Leipzig of his opera “Genoveva,” Op. 81. Symphony in E-flat major (“Rhenish”), Op. 97; Cello Concerto in A minor, Op. 129. |
| 1853 | Beginning of his friendship with Brahms. Completion of the Scenes from Faust. Violin Concerto in D minor for Joseph Joachim. |
| 1854 | Suicide attempt and admission to the psychiatric institution in Endenich, near Bonn. |
| 1856 | Death in Endenich on July 29. |
关于作者
Kazuko Ozawa (Editor)
Kazuko Ozawa, born in 1954 in Mishima, Japan, studied at the Tokyo University of the Arts between 1973 and 1979, doing her MA on Schumann’s Scenes from Faust in the Musicology Department. From 1979 onwards she continued her studies at the University of Bonn, earning her doctorate with a thesis entitled “Quellenstudien zu Robert Schumanns Liedern nach Adelbert von Chamisso”.
She works as a freelance musicologist and is an external editor for the New Robert Schumann Complete Edition.