This "hit" is even popular among learners! Now it opens Henle’s new series of Weber’s works for clarinet and orchestra in piano reduction. This edition includes two separate parts: the urtext of Weber’s version, and the widely known version by Carl Bärmann.
- Concertino for Clarinet and Orchestra E flat major op. 26
- ABRSM: Clarinet DipABRSM
Carl Maria von Weber produced three works for clarinet and orchestra: the Concertino, op. 26, and the concertos in F minor, op. 73, and E-flat major, op. 74. All three were written during a lengthy visit to Munich in 1811. The twenty-four-year-old composer, still many years away from his triumphant breakthrough with Der Freischütz in 1821, had been traveling through Germany … more
About the composer
Carl Maria von Weber
One of the most important German opera composers before Wagner, he advocated for a German opera through his own output and in his writings. His fame is predicated on “Der Freischütz,” which was received emphatically as a German nationalist opera. His instrumental works (orchestral pieces, solo concerti, chamber music, piano works) are largely based on Classical models though already anticipate the Romantic sound.
|1786||Born in Eutin on November 18 or 19. Journeyman years with the “Webersche Schauspielergesellschaft,” a wandering acting troupe. He plays smaller roles for children.|
|1797||The troupe comes to Salzburg, where he studies composition with Michael Haydn from 1798.|
|1800||Premiere in Freiberg of his first Romantic, comic opera, “Das Waldmädchen” (“The Forest Maiden”).|
|beginning 1803||Years of study in Vienna with Georg Josef Vogler.|
|1804–06||First appointment as music director in Breslau (Wrocław).|
|1810||Premiere in Frankfurt am Main of the Romantic opera “Silvana.” Piano Concerto No. 1 in C major, Op. 11.|
|1811||Clarinet Concerti No. 1 in F minor, Op. 73, and No. 2 in E-flat major, Op. 74, commissioned by Maximilian of Bavaria; in 1812, Piano Concerto No. 2 in E-flat major, Op. 32.|
|1813–16||Opera director and music director of the Estates Theater in Prague. From 1817 onward,courtl music director in Dresden.|
|1819||Piano pieces: “Rondo brillante” in E-flat major, Op. 62; “Aufforderung zum Tanze” (“Invitation to the Dance”) in D-flat major, Op. 65; “Polacca brillante” in E-flat major, Op. 72. Trio in G minor for piano, flute, and cello, Op. 63.|
|1821||Premiere in Berlin of his Romantic opera “Der Freischütz,” Op. 77; it is received as an archetypal German opera due to its subject matter and music, although it integrates German, French, and Italian elements. Konzertstück in F minor for Piano and Orchestra, Op. 79, which paves the way for one-movement concerto compositions in the nineteenth century.|
|1823||Premiere in Vienna of “Euryanthe,” Op. 81.|
|1826||Premiere in London of “Oberon.” Death in London on June 5.|
About the authors
Si tratta di una importante e quasi definitiva edizione a stampa che i clarinettisti più attenti dovrebbero consultare per operare delle scelte esecutive consapevoli.