Chopin’s Polonaise in A major op. 40 no. 1 is better known as the “Military Polonaise”. Indeed, the brisk rhythm, the “drum roll” in the middle section and the heroic demeanour of the work in general all evoke the world of military music. A favourite for many generations now, the work has nevertheless faced a complex source situation; the editor must deal with two strands of sources that diverge considerably from one another. Our separate publication of the piece solves this problem masterfully; it is based on the musical text of the Chopin anthology of Polonaises (HN 217), and thus offers the typically high-quality and reliable Urtext of G. Henle Verlag.
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About the composer
Pianist and composer. His work is concentrated around piano music that enjoys extraordinary popularity and has become an integral part of the concert repertoire. His music influenced subsequent generations in France (Franck, Saint-Saëns, Fauré, Debussy) as well as Smetana, Dvořák, Balakirev, Grieg, Albéniz.
|1810||Born in Żelazowa Wola near Warsaw on March 1. First compositions at age seven, his first public performance at eight.|
|1822||Private instruction in composition.|
|1825||Rondo in C minor, Op. 1, his first published work.|
|1826–29||Studies at the Institute of Music in Warsaw.|
|1829||“Fantaisie sur des airs nationaux polonaise” in A major, Op. 13; Piano Trio in G minor, Op. 8. Travels to Vienna, where he gives two concerts of his compositions and improvisations.|
|1829–33 and 1835–37||Etudes, Opp. 10 and 25 -- a new type of virtuosic etude that also makes aesthetic demands.|
|1830||Premieres in Warsaw of his two piano concerti, Op. 21 in F minor and Op. 11 in E minor.|
|1831||Unable to return to Warsaw due to the Polish uprising, he goes to Paris, where he will remain until the end of his life.|
|1832||Debut concert in Paris to great acclaim.|
|1835/38||“Trois valses brillantes,” Op. 34.|
|1836/39||“24 Preludes,” Op. 28, in a cyclic succession: compactly-designed short pieces.|
|1835/39||Piano Sonata in B-flat minor, Op. 35, with the funeral march.|
|1842/43||Ballade No. 4 in F minor, Op. 52; “Grande Polonaise brillante” in A-flat major, Op. 53; Scherzo No. 4 in E major, Op. 54.|
|1844||Piano Sonata in B minor, Op. 58|
|1849||Completion of the mazurkas in G minor and F minor. Death in Paris on October 17.|
About the authors
... is a fine single edition. Selection edited by Ewald Zimmermann with fingering by Hans-Martin Theopold are clearly engraved for reading with a suitable layout.