Felix Mendelssohn Bartholdy

Am Klavier - 13 bekannte Originalstücke

Sylvia Hewig-Tröscher (Editor, Fingering)


Urtext Edition, paperbound

Edition available in German language

ページ 56 (III+53), サイズ 23,5 x 31,0 cm

重量 234 g

HN 1801 · ISMN 979-0-2018-1801-6

17.00 €
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収録作品/詳細

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  • 難易度 (解説)
  • 同じ難易度の作品をもっと見る
  • Six Children's Pieces op. 72,1
  • ピアノ 4 中級
  • Six Children's Pieces op. 72,3
  • ピアノ 4 中級
  • Six Children's Pieces op. 72,5
  • ピアノ 5 中級
  • Song without Words (Venetian Gondola Song) g minor op. 19,6
  • ピアノ 4 中級
  • Song without Words (Venetian Gondola Song) f sharp minor op. 30,6
  • ピアノ 5 中級
  • Song without Words (Spring Song) A major op. 62,6
  • ピアノ 5 中級

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作曲家について

Felix Mendelssohn Bartholdy

Felix Mendelssohn Bartholdy

A German composer, conductor, pianist, and organist who already numbered among the most important composers in Europe during his lifetime. While still young he found a unique tonal language. Reflected in his oeuvre, which spans all genres, are the contradictory tendencies of the age – Classicism and Romanticism. His endeavors over the course his life to perform the works of Johann Sebastian Bach led to a “rediscovery” of that composer which continues unabated. His intensive engagement with Bach and his counterpoint influenced his own compositional technique.

1809Born into a wealthy banker’s family in Hamburg on February 3. Escape to Berlin with his parents in 1811. First musical instruction from his mother.
1819He becomes a pupil of Carl Friedrich Zelter.
1820Joins the Sing-Akademie in Berlin.
1821–23Twelve sinfonias for strings.
1825String Octet in E-flat major, Op. 20.
1826Overture to “A Midsummer Night’s Dream,” Op. 21
1827Begins studies at the University of Berlin.
1829Revival of Bach’s St. Matthew Passion in Berlin on March 11 and 21. Travels to England and Scotland.
1829–30“Reformation” Symphony in D minor, [Op. 107], with inclusion of the choral “Ein feste Burg“ (A Mighty Fortress Is Our God.)
1830–32Extended travels, including to Italy and France. Piano Concerto in G minor, Op. 25; Overture in B minor, Op. 26, “The Hebrides, or Fingal’s Cave” (1829–30).
1833Music director in Düsseldorf. “Italian” Symphony in A major, Op. 90 (1830–33).
1835Director of the Gewandhaus concerts in Leipzig.
1836Premiere in Düsseldorf of his oratorio “St. Paul: Oratorio on Words of the Holy Bible,” Op. 36.
1838-44Violin Concerto in E minor, Op. 64.
1840Composition of “Hymn of Praise, a Symphony-Cantata on Words of the Holy Bible,” Op. 52.
1841Berlin, in the service of the Prussian king. “Variations sérieuses” in D minor, Op. 54, for piano.
1842Completion of Symphony No. 3 (“Scottish”) in A minor, Op. 56, with a songlike opening.
1843Incidental music to Shakespeare’s “A Midsummer Night’s Dream,” Op. 61. Director of the newly founded Leipzig Conservatory.
1846Premiere of his oratorio “Elijah,” Op. 70, in Birmingham.
1847String Quartet in F minor, [Op. 80]. Death in Leipzig on November 4.

© 2003, 2010 Philipp Reclam jun. GmbH & Co. KG, Stuttgart

… 続き

Die Texte Hewig-Tröschers sind leicht lesbar, allgemein verständlich und in ihren praktischen Empfehlungen problemlos umzusetzen, etwa wenn sie mit wenigen Worten Empfehlungen gibt, wie eine Oberstimme bei Mehrstimmigkeit in einer Hand hervorgehoben werden kann. Auch der Klavierpädagoge liest die Anmerkungen der Herausgeberin durchaus mit Gewinn für den eigenen Unterricht. [Üben & Musizieren, 2016]

De serie houdt rekening met verschillende spelniveaus (...), uithoudingsvermogen (...) en wil twijfelaars niet afschrikken door een te groot gewicht van een volume (...) of een te druk tekstbeeld. Ook aan de portemonnee van de doelgroep is gedacht, want de serie is aantrekkelijk geprijsd. Kortom, alle voorwaarden zijn aanwezig, alle mogelijke duwtjes in de rug gegeven, nu is het de beurt aan de pianist zelf. Er is geen uitstel meer mogelijk. [Piano Bulletin, 2015]