Edvard Grieg was a master of the Romantic miniature for piano, and with his ten volumes of “lyric pieces” he more or less created a new genre all on his own. These works offer an abundance of wonderful pieces that are ideal for a guided return to the piano. It proved difficult to choose a selection of them for our volume. But we also offer well-known pieces from the orchestral suites From Holberg’s Time and Peer Gynt, which Grieg himself arranged for the piano. Naturally they are presented superbly in true Urtext.
- 難易度 (解説)
At the Piano The series “At the Piano” is intended for all those who have some experience playing the piano and would now like to play easier original works by famous composers. Students, teachers and those returning to the piano will encounter a wealth of well-known works. Contents Each volume in the series is devoted exclusively to one composer. This is because each … 続き
Most important Norwegian composer of the nineteenth century and promoter of Norwegian folk music. His lyrical character pieces in particular are well known.
|1843||Born in Bergen on June 15, the son of a merchant and British consul; early piano lessons with his mother, who was a pianist.|
|1858–62||Studies at the Leipzig Conservatory.|
|1862||Concerts in Norway.|
|1863||Copenhagen, with the support of Niels W. Gade.|
|from 1864||Interest in Norwegian folk music, which finds its way into his compositions.|
|1866||Breakthrough with a concert of Norwegian music. Conductor of the Philharmonic Society.|
|1867||The first of a total of ten volumes of Lyric Pieces for piano, Op. 12, with relatively simple piano settings.|
|1868/69||Composition of the Piano Concerto in A minor, Op. 16, which is based on Schumann’s piano concerto.|
|1869||“25 Norwegian Folk Melodies and Dances,” Op. 17, for piano.|
|1873||Begins work on the opera “Olav Trygvason,” Op. 50, after Bjørnson, which is never completed.|
|1874||Composition stipend from the state.|
|1874/75||Composition of incidental music to Ibsen’s “Peer Gynt,” Op. 23, the basis for the Peer Gynt Suites.|
|1876||Attends the premiere of Wagner’s “Der Ring des Nibelungen” in Bayreuth.|
|1880–82||Conductor of the “Harmonien” musical society in Bergen. Thereafter he accepted no other positions.|
|1883||Visit to Bayreuth; he hears Wagner’s “Parsifal.”|
|1884||Composition of “From Holberg’s Time,” Op. 40, his most popular work.|
|from 1885||He moves into his villa “Troldhaugen” (near Bergen). Composition and revision of older works in spring and summer, concert tours in fall and winter.|
|1891||Composition of the “Lyric Suite,” Op. 54, orchestrated in 1905.|
|1907||Death in Bergen on September 4.|
At The Piano is an excellent series for students and teachers. Those who fancy learning a major composer’s ‘piano favourites’ will really enjoy working their way through each book. G. Henle have combined a scrupulous ‘pure’ score with plenty of valuable information, offering a fascinating glimpse into the history and style of each composer.