Next to the polonaises and the waltzes, the mazurkas are the third dance form which Chopin cultivated in his music. They constitute the largest of these three groups, boasting nearly 60 pieces. Chopin made use of the mazurka genre from his childhood until the last years of his life. They testify not only to Chopin’s love for his native Poland, but also to the depth of the composer’s feeling for the mentality of his people. He took inspiration from the various types of mazurka found in different regions of Poland, but sublimated them into absolute music of the greatest elegance, refined harmonies and rhythmic power.
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Not counting a rather brief work in D major, whose authenticity is doubted by Bronarski, and a melody set to a text on August 22, 1829 (in an album of Vaclav Hanka), Chopin composed 57 Mazurkas. Also not in this figure, though they appear in the Appendix to this edition, are the first versions of certain works. Probably because of its folkloristic elements, Chopin clearly … 続き
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Frédéric Chopin
Pianist and composer. His work is concentrated around piano music that enjoys extraordinary popularity and has become an integral part of the concert repertoire. His music influenced subsequent generations in France (Franck, Saint-Saëns, Fauré, Debussy) as well as Smetana, Dvořák, Balakirev, Grieg, Albéniz.
1810 | Born in Żelazowa Wola near Warsaw on March 1. First compositions at age seven, his first public performance at eight. |
1822 | Private instruction in composition. |
1825 | Rondo in C minor, Op. 1, his first published work. |
1826–29 | Studies at the Institute of Music in Warsaw. |
1829 | “Fantaisie sur des airs nationaux polonaise” in A major, Op. 13; Piano Trio in G minor, Op. 8. Travels to Vienna, where he gives two concerts of his compositions and improvisations. |
1829–33 and 1835–37 | Etudes, Opp. 10 and 25 -- a new type of virtuosic etude that also makes aesthetic demands. |
1830 | Premieres in Warsaw of his two piano concerti, Op. 21 in F minor and Op. 11 in E minor. |
1831 | Unable to return to Warsaw due to the Polish uprising, he goes to Paris, where he will remain until the end of his life. |
1832 | Debut concert in Paris to great acclaim. |
1835/38 | “Trois valses brillantes,” Op. 34. |
1836/39 | “24 Preludes,” Op. 28, in a cyclic succession: compactly-designed short pieces. |
1835/39 | Piano Sonata in B-flat minor, Op. 35, with the funeral march. |
1842/43 | Ballade No. 4 in F minor, Op. 52; “Grande Polonaise brillante” in A-flat major, Op. 53; Scherzo No. 4 in E major, Op. 54. |
1844 | Piano Sonata in B minor, Op. 58 |
1849 | Completion of the mazurkas in G minor and F minor. Death in Paris on October 17. |