Beethoven’s three piano sonatas op. 10 are of very dissimilar nature. Beethoven published them in 1798 and dedicated them to Countess von Browne-Camus, the wife of a Russian patron to whom he was indebted. The last of these three sonatas is presented here in an Urtext edition. It is the longest of the three, the most imaginative and pianistically the most impressive. Formal expansiveness, an unconventional sequence of themes and brilliant tonal development characterise this piano work, which with its Largo contains one of the most cryptic slow movements in early Beethoven.