Felix Mendelssohn Bartholdy

Piano Trio no. 1 d minor op. 49

András Adorján (Editor)

Urtext Edition, Additional Flute Part, paperbound

additional part for HN 1531

ページ 19 (VI+13), サイズ 23,5 x 31,0 cm

重量 100 g

HN 1297 · ISMN 979-0-2018-1297-7

5.50 €



  • Piano Trio d minor op. 49


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It was probably due more to marketing considerations than to any artistic de‑ sire that one of the main works of the chamber music repertoire was also ar‑ ranged for flute by the composer. When Felix Mendelssohn Bartholdy (1809 – 47) wanted to have his Piano Trio no. 1 in d minor op. 49 published by J. J. ­Ewer & Co. in England, the owner of the publishing house, … 続き



Felix Mendelssohn Bartholdy

Felix Mendelssohn Bartholdy

A German composer, conductor, pianist, and organist who already numbered among the most important composers in Europe during his lifetime. While still young he found a unique tonal language. Reflected in his oeuvre, which spans all genres, are the contradictory tendencies of the age – Classicism and Romanticism. His endeavors over the course his life to perform the works of Johann Sebastian Bach led to a “rediscovery” of that composer which continues unabated. His intensive engagement with Bach and his counterpoint influenced his own compositional technique.

1809Born into a wealthy banker’s family in Hamburg on February 3. Escape to Berlin with his parents in 1811. First musical instruction from his mother.
1819He becomes a pupil of Carl Friedrich Zelter.
1820Joins the Sing-Akademie in Berlin.
1821–23Twelve sinfonias for strings.
1825String Octet in E-flat major, Op. 20.
1826Overture to “A Midsummer Night’s Dream,” Op. 21
1827Begins studies at the University of Berlin.
1829Revival of Bach’s St. Matthew Passion in Berlin on March 11 and 21. Travels to England and Scotland.
1829–30“Reformation” Symphony in D minor, [Op. 107], with inclusion of the choral “Ein feste Burg“ (A Mighty Fortress Is Our God.)
1830–32Extended travels, including to Italy and France. Piano Concerto in G minor, Op. 25; Overture in B minor, Op. 26, “The Hebrides, or Fingal’s Cave” (1829–30).
1833Music director in Düsseldorf. “Italian” Symphony in A major, Op. 90 (1830–33).
1835Director of the Gewandhaus concerts in Leipzig.
1836Premiere in Düsseldorf of his oratorio “St. Paul: Oratorio on Words of the Holy Bible,” Op. 36.
1838-44Violin Concerto in E minor, Op. 64.
1840Composition of “Hymn of Praise, a Symphony-Cantata on Words of the Holy Bible,” Op. 52.
1841Berlin, in the service of the Prussian king. “Variations sérieuses” in D minor, Op. 54, for piano.
1842Completion of Symphony No. 3 (“Scottish”) in A minor, Op. 56, with a songlike opening.
1843Incidental music to Shakespeare’s “A Midsummer Night’s Dream,” Op. 61. Director of the newly founded Leipzig Conservatory.
1846Premiere of his oratorio “Elijah,” Op. 70, in Birmingham.
1847String Quartet in F minor, [Op. 80]. Death in Leipzig on November 4.

© 2003, 2010 Philipp Reclam jun. GmbH & Co. KG, Stuttgart

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Die für Flöte angeglichene Stimme weist Mendelssohn als genialen Bearbeiter und großen Kenner der flötenspezifischen Notwendigkeiten aus. (...) Die Henle-Ausgabe besticht durch ein schönes Notenbild und gute Wendestellen, Bogensetzung, Artikulation und dynamische Bezeichnungen entsprechen denen der Violinstimme. Die Einzelstimme kann mit der revidierten Edition des Trios HN 957 verwendet werden. [Tibia, 2017]