Following the publication of the Valse-Scherzo, we continue our edition of Tchaikovsky’s complete works for violin and piano with the enchanting Sérénade mélancolique, op. 26. This was Tchaikovsky’s first concertante work for violin, the beginning of a path that was to lead to his Violin Concerto three years later. He composed the Sérénade mélancolique in 1875 for violinist Leopold Auer, originally for violin and orchestra, but later also in a version for violin and piano. Since the autograph sources are lost, this Henle edition is based on the Russian first editions, which even in Tchaikovsky’s lifetime were issued in a number of revised versions. Our editor, Russian Tchaikovsky scholar Alexander Komarov, brings exemplary clarity to the confused state of the sources, while Ingolf Turban unlocks the notation of the violin part with his accomplished fingerings and bowings.
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The Sérénade mélancolique op. 26, composed in 1875, was the first of three concertante works for violin in the oeuvre of Peter I. Tchaikovsky (1840 – 93). It was written even before the Valse-Scherzo op. 34 (1877) and the famous Violin Concerto op. 35 (1878). Like all of his instrumental concertos, Tchaikovsky also conceived the Sérénade mélanco lique … 続き
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作曲家について
Peter Iljitsch Tschaikowsky
Most important and first professionally trained Russian composer of the nineteenth century; main works include operas, ballet music, six symphonies, three piano concerti, and one violin concerto, as well as songs, chamber music, and piano music.
| 1840 | Born in Votkinsk on May 7, the son of a mining engineer. |
| 1849–59 | Educated as an attorney. |
| 1861–65 | Study of music; he numbers among the first graduates of the St. Petersburg Conservatory. Piano studies with Anton Rubinstein. |
| 1866–76 | He relocates to Moscow to teach harmony, instrumentation, and free composition at what later became the Moscow Conservatory. Composition of Symphonies No. 1 through 3 (Opp. 13, 17, 29), the Piano Concerto No. 1 in B-flat minor, Op. 23, the three string quartets (Op. 11 in 1871, Op. 22 in 1874, Op. 90 in 1876). |
| 1868–76 | Active as a reviewer. He attends the premiere in Bayreuth of Wagner’s “Der Ring des Nibelungen” in 1876. |
| from 1877 | Travels at home and abroad. Beginning of patronage from Nadezhda von Meck. Composition of the Symphony No. 4 in F minor, Op. 36, premiered in Moscow in 1878. Premiere of the ballet “Swan Lake,” Op. 20. |
| 1879 | Premiere in Moscow of “Eugene Onegin,” his best-known and most important opera. |
| 1884 | Premiere in Moscow of “Mazeppa.” |
| from 1887 | Regular performances as conductor of his and others’ work. He is regarded abroad as the most important exponent of Russian music |
| from 1888 | Granted an annuity for life by the Tsar. |
| 1888 | Composition and premiere in St. Petersburg of the Symphony No. 5 in E minor, Op. 64; fate motive appears as a kind of “idée fixe.” |
| 1892 | Premiere of the ballet “The Nutcracker,” Op. 71. |
| 1893 | Composition of the Symphony No. 6 in B minor (“Pathétique”), Op. 74, which is premiered in St. Petersburg in October that year. |
| 1893 | Death from cholera in St. Petersburg on November 6. |
Henle`s score comes with a supplementary violin part judiciously marked by Ingolf Turban and is a model in clarity.