This rousing Polonaise, which is preceded by a nocturne-like Andante, was originally a work for piano and orchestra. It was written at the same time as Chopin’s two piano concertos in e minor and f minor, and breathes the same fresh, youthful spirit. Since the orchestral part is subordinate and fulfills only an accompanying function, the Polonaise lends itself brilliantly to performance as a solo piano piece, and indeed is almost always performed as such in today’s concert halls. In this spirit – and following the first editions – our Urtext edition is laid out not as a piano reduction (with two piano systems), but contains only the solo part; at those few passages where the solo piano rests, the orchestral accompaniment is reproduced in small print.
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The Grande polonaise brillante précédée d’un Andante spianato op. 22 is one of Chopin’s six works for piano and orchestra, the others being his two piano concertos opp. 11 and 21, the Variations on La ci darem la mano op. 2, the Fantasy on Polish Themes op. 13, and the Krakowiak op. 14. The first editions of all of these works were issued in a sort of piano-conductor’s … 계속
Pianist and composer. His work is concentrated around piano music that enjoys extraordinary popularity and has become an integral part of the concert repertoire. His music influenced subsequent generations in France (Franck, Saint-Saëns, Fauré, Debussy) as well as Smetana, Dvořák, Balakirev, Grieg, Albéniz.
|1810||Born in Żelazowa Wola near Warsaw on March 1. First compositions at age seven, his first public performance at eight.|
|1822||Private instruction in composition.|
|1825||Rondo in C minor, Op. 1, his first published work.|
|1826–29||Studies at the Institute of Music in Warsaw.|
|1829||“Fantaisie sur des airs nationaux polonaise” in A major, Op. 13; Piano Trio in G minor, Op. 8. Travels to Vienna, where he gives two concerts of his compositions and improvisations.|
|1829–33 and 1835–37||Etudes, Opp. 10 and 25 -- a new type of virtuosic etude that also makes aesthetic demands.|
|1830||Premieres in Warsaw of his two piano concerti, Op. 21 in F minor and Op. 11 in E minor.|
|1831||Unable to return to Warsaw due to the Polish uprising, he goes to Paris, where he will remain until the end of his life.|
|1832||Debut concert in Paris to great acclaim.|
|1835/38||“Trois valses brillantes,” Op. 34.|
|1836/39||“24 Preludes,” Op. 28, in a cyclic succession: compactly-designed short pieces.|
|1835/39||Piano Sonata in B-flat minor, Op. 35, with the funeral march.|
|1842/43||Ballade No. 4 in F minor, Op. 52; “Grande Polonaise brillante” in A-flat major, Op. 53; Scherzo No. 4 in E major, Op. 54.|
|1844||Piano Sonata in B minor, Op. 58|
|1849||Completion of the mazurkas in G minor and F minor. Death in Paris on October 17.|
Druckbild, Vorwort, Kritischer Apparat und Fingersatz sind -- wie bei Henle üblich -- in hervorragender Verfassung und dem Interpreten eine echte Hilfe.