Dvořák had previously written solo music for Hanus Wihan, later the dedicatee of his cello concerto. When he was planning a trio concert tour for 1892 with Wihan and violinist Ferdinand Lachner and needed further works for cello and piano, he reworked “Silent Woods” for cello and piano during the Christmas holidays of 1891. Originally a four-hand piano piece from his cycle “From the Bohemian Forest”, the cantabile character piece became a popular recital item owing to its sonorous cello sound. Dvořák later arranged it as an effective concert piece for violoncello and orchestra. The first edition of 1894 is the basis for editor and Dvořák specialist Milan Pospíšil’s Urtext edition for violoncello and piano.
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- Silent Woods op. 68,5
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The nineteenth century was insatiable in its demand for popular works arranged for all imaginable combinations of instruments – a demand from which composers themselves were able to profit by producing arrangements of their own music. Thus, on 28 December 1891, Antonín Dvorák made an arrangement for cello and piano of piece no. 5, Klid (“Silence” or “Die Ruhe”), … 계속
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Antonín Dvorák
With Smetana he is the most famous Czech composer of the nineteenth century, contributing to the dissemination and appreciation of Czech music throughout the world. Among his around 200 works, encompassing all standard genres, are nine symphonies, fourteen string quartets, and twelve operas.
| 1841 | Born in Nelahozeves (Mühlhausen) on the Vltava River on September 8, the son of a butcher and innkeeper. |
| 1853 | Attends the training school in Zlonice; there he receives a comprehensive musical education from Josef Toman and the cantor Antonín Liehmann; subsequent education in Česká Kamenice (1856–57). |
| 1857–59 | Studies at the organ school in Prague. Until 1871 he will earn his living as a music teacher, organist, and violist. |
| 1861 | String Quintet No. 1 in A minor, considered his first work. |
| 1862 | Position as solo violist in the orchestra of the Bohemian Provisional Theater (conducted by Smetana, among others) |
| 1873 | Breakthrough with the premiere in Prague of his patriotic hymn “The Heirs of the White Mountain,” Op. 30. Employment at the private Prague School of Music. Several state scholarships. |
| 1874–77 | Organist at St. Adalbert church. |
| from 1876 | “Moravian Duets,” Opp. 20, 29, 32, and 38 (1876–77), “Slavonic Rhapsodies,” Op. 45 and the first series of “Slavonic Dances,” Op. 46 (both from 1878) enjoy great success. His fame abroad grows. |
| 1882 | Premiere of the opera “Dimitrij”, in the tradition of grand opera. |
| 1884 | First invitation to England, after which eight more will follow. |
| 1886 | Premiere of his oratorio “Saint Ludmila,” Op. 71. |
| 1891 | Professor of composition at the Prague Conservatory. |
| 1891–95 | Director of the National Conservatory of Music in New York. |
| 1893 | Premiere in New York of Symphony No. 9, “From the New World,” Op. 95 (American folkloric elements, cyclic techniques). |
| 1901 | Premiere in Prague of his most famous opera, “Rusalka.” |
| 1904 | Premiere in Prague of his last opera, “Armida.” Death in Prague on May 1. |