The title of Ravel’s Miroirs (1904/05) can be interpreted as “reflections” of the human world of experiences. Among the nature pictures in this cycle, “Une barque sur l’océan” is particularly popular, forming a pianistic complement to Debussy’s orchestral work “La mer”, which was written at about the same time. The spacious arpeggios, with fifths, fourths and seconds hovering above them in subtle rhythms, paint a maritime tableau that is in a genre all of its own: on the one hand we have a stylised picture of a boat at the mercy of the wind and the waves, while on the other hand an allegory of the volatile nature of human life. This is the second, separate edition of a piece from Ravel’s “Miroirs” to be published by G. Henle Publishers, after “Alborado del gracioso” (HN 1295).
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Maurice Ravel’s (1875 – 1937) Une barque sur l’océan (i. e. “A ship at sea”) is the third piece of the five-part piano cycle Miroirs (i. e. “Mirrors”) and is dedicated to the painter Paul Sordes (1877 – c. 1937). Like the dedicatees of the other pieces of Miroirs and Ravel himself, Sordes was member of the Paris artist’s circle “the Apaches”. … 계속
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Maurice Ravel
Together with Satie and Debussy, Ravel numbers among the innovators who had a falling out with academic education and created their own avant-garde tonal languages – inspired, in Ravel’s case, by Russian and Spanish music, but also by exoticism – without abandoning tonality. This master of orchestration begins with piano works, which he orchestrates; songs with piano and piano compositions exist on an equal footing in orchestral versions.
| 1875 | Born in Ciboure on March 7; the family moves to Paris that same year. |
| 1882 | Lessons in piano, theory, and composition. |
| 1889 | Beginning of his studies at the Conservatoire de Paris, from which he will never graduate. |
| 1901 | “Jeux d’eau” for piano, in a new “Impressionist” tonal language, as is “Miroirs” (1904–05). |
| 1903 | “Shéhérazade” for voice and piano/orchestral accompaniment with orientalist tonal elements. |
| 1905 | Scandal surrounding Ravel’s third application for the Prix de Rome. |
| 1907 | Premiere of the “Histoires naturelles” after Jules Renard provokes astonishment in audiences and critics. |
| 1907–08 | Rhapsodie espagnole for orchestra. |
| 1908/10 | “Ma mère l’oye” (“Mother Goose”) for piano, four-hands, as a ballet in 1911. |
| 1911 | Premiere in Paris of his opera “L’Heure espagnole.” |
| 1911/12 | “Valses nobles et sentimentales” for piano/orchestra. Premiere of the ballet “Daphnis et Chloé” in 1912. |
| 1914/19 | “Le tombeau de Couperin” for piano/orchestra anticipates the coming neoclassicism. |
| from 1920 | Many concert tours through Europe and the United States. |
| 1925 | Premiere of his opera “L’Enfant et les sortilèges.” |
| 1928 | Conferral of an honorary doctorate from Oxford University. “Bolero” for orchestra. |
| 1929–31 | Piano Concerto in G major with elements of jazz. |
| 1937 | Death in Paris on December 28. |