Johannes Brahms

Am Klavier - 15 bekannte Originalstücke

Sylvia Hewig-Tröscher (Editor, Fingering)


Urtext Edition, paperbound

Edition available in German language

Pages 55 (II+53), Size 23,5 x 31,0 cm

Weight 232 g

HN 1802 · ISMN 979-0-2018-1802-3

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Content/Details

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  • Level of difficulty (Explanation)
  • Other titles with this level of difficulty
  • Waltz (easy version by the composer) E major op. 39,5
  • Piano 4 medium
  • Waltz (easy version by the composer) B flat major op. 39,8
  • Piano 4 medium
  • Waltz (easy version by the composer) d minor op. 39,9
  • Piano 4 medium
  • Intermezzo E major op. 116,6
  • Piano 5 medium
  • Intermezzo a minor op. 76,7
  • Piano 5 medium
  • Intermezzo E flat major op. 117,1
  • Piano 5 medium

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Preface

About the composer

Johannes Brahms

Johannes Brahms

His significant output comprises chamber music, piano works, numerous choral compositions and songs (including settings of folk-song lyrics), as well as large-scale orchestral works in the 1870s and 1880s. His compositions are characterized by the process of developing variation. He is considered an antithesis to the New German School around Liszt, and an advocate of “absolute” music.

1833Born in Hamburg on May 7, the son of a musician. His first piano instruction with Willibald Cossel at age seven, then with Eduard Marxen; first public performances from 1843.
1853Concert tour through German cities; he meets Schumann, who announces him as the next great composer in his essay “Neue Bahnen” (“New Paths”). A lifelong, intimate friendship develops with Clara Schumann.
1854–57Piano Concerto No. 1 in D minor, Op. 15.
1857–59Choir director, pianist, and teacher at the royal court in Detmold.
1859–61Director of the Hamburg Women’s Choir.
1860Manifesto against the New Germans around Liszt.
1863Cantata “Rinaldo,” Op. 50.
1863–64Director of the Wiener Singakademie.
1868Partial performance in Vienna of “A German Requiem,” Op. 45 (the complete work premiered in Leipzig in 1869)
1871–74Artistic director of the Gesellschaft der Musikfreunde (Society of Friends of Music) in Vienna.
1873Haydn Variations, Op. 56a, for orchestra.
from 1877His symphonic output begins with the Symphony No. 1 in C minor, Op. 68 (begun 1862); composition of the Symphony No. 2 in D major, Op. 73; the Symphony No. 3 in F major, Op. 90 (1883); and Symphony No. 4 in E minor, Op. 98 (1884–85): cantabile themes, chamber-music-like style.
from 1878Travels in Italy.
1878Violin Concerto in D major, Op. 77, for Joseph Joachim.
1881Piano Concerto No. 2 in B-flat major, Op. 83, with a scherzo movement.
1886Honorary president of Vienna’s Tonkünstlerverein (Association of Musicians).
1897Four Serious Songs, Op. 121. Dies in Vienna on April 3.

© 2003, 2010 Philipp Reclam jun. GmbH & Co. KG, Stuttgart

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About the authors

Sylvia Hewig-Tröscher

Sylvia Hewig-Tröscher (Editor, Fingering)

Sylvia Hewig-Tröscher studied piano at the Hochschule für Musik in Munich under Erik Then-Bergh and Hermann Reutter, as well as under Louis Hiltbrand at the Conservatoire de Musique in Geneva. 1977 she finished the „ Classe de Virtuosité“ in Geneva with the Premier Prix avec distinction and received the Henry Broliet prize as well as being awarded the GEDOK prize. Also organ studies under Lionel Rogg finishing with the „Diplome d’Orgue“. Masterclasses with George Halmos, Klaus Schilde, Karl Seemann and Wilhelm Kempff, followed, as well as with the cembalo player Li StadelmannIn. 1977 the piano trio Orfeo was established.

Since then, as a solo pianist and chamber musician, her concert activities have led her to Germany, Switzerland, France, Italy, Austria, America, Egypt, India, Korea, and Japan. The list of recordings includes Bayerischer Rundfunk and Südwestfunk Freiburg, Baden-Baden, record and CD recordings of (among others) seldom played works of the classical and romantic periods with Musica Bavarica. Further CD recordings including modern music and first performances with Calig, Symicon, Bayer Records, Arts Magnamedia, and Sony, also co-production of the Bayreischer Rundfunk and Deutscher Musikrat.

Masterclasses in Villa Marteau, Marktoberdorf, Hammelburg, Brixen, Castelnuovo di Garfagnana and New York. Today Sylvia Hewig-Tröscher works as a professor of piano and vice president of the Hochschule für Musik and Theater Munich.

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Die Texte Hewig-Tröschers sind leicht lesbar, allgemein verständlich und in ihren praktischen Empfehlungen problemlos umzusetzen, etwa wenn sie mit wenigen Worten Empfehlungen gibt, wie eine Oberstimme bei Mehrstimmigkeit in einer Hand hervorgehoben werden kann. Auch der Klavierpädagoge liest die Anmerkungen der Herausgeberin durchaus mit Gewinn für den eigenen Unterricht. [Üben & Musizieren, 2016]

De serie houdt rekening met verschillende spelniveaus (...), uithoudingsvermogen (...) en wil twijfelaars niet afschrikken door een te groot gewicht van een volume (...) of een te druk tekstbeeld. Ook aan de portemonnee van de doelgroep is gedacht, want de serie is aantrekkelijk geprijsd. Kortom, alle voorwaarden zijn aanwezig, alle mogelijke duwtjes in de rug gegeven, nu is het de beurt aan de pianist zelf. Er is geen uitstel meer mogelijk. [Piano Bulletin, 2015]