Johannes Brahms

Feldeinsamkeit - Ich ruhe still im hohen grünen Gras op. 86 no. 2

Ernst Herttrich (Introduction)


Facsimile of the autograph, paperbound

Pages 9 (V+4), Size 29,8 x 22,6 cm

Weight 112 g

HN 3207 · ISMN 979-0-2018-3207-4

81.00 $
incl. VAT, plus shipping costs

available

Content/Details

  • Feldeinsamkeit - Ich ruhe still im hohen grünen Gras op. 86 Nr. 2

Audio/video

Henleverlag

You will find more interesting videos on our YouTube channel:

Preface

About the composer

Johannes Brahms

Johannes Brahms

His significant output comprises chamber music, piano works, numerous choral compositions and songs (including settings of folk-song lyrics), as well as large-scale orchestral works in the 1870s and 1880s. His compositions are characterized by the process of developing variation. He is considered an antithesis to the New German School around Liszt, and an advocate of “absolute” music.

1833Born in Hamburg on May 7, the son of a musician. His first piano instruction with Willibald Cossel at age seven, then with Eduard Marxen; first public performances from 1843.
1853Concert tour through German cities; he meets Schumann, who announces him as the next great composer in his essay “Neue Bahnen” (“New Paths”). A lifelong, intimate friendship develops with Clara Schumann.
1854–57Piano Concerto No. 1 in D minor, Op. 15.
1857–59Choir director, pianist, and teacher at the royal court in Detmold.
1859–61Director of the Hamburg Women’s Choir.
1860Manifesto against the New Germans around Liszt.
1863Cantata “Rinaldo,” Op. 50.
1863–64Director of the Wiener Singakademie.
1868Partial performance in Vienna of “A German Requiem,” Op. 45 (the complete work premiered in Leipzig in 1869)
1871–74Artistic director of the Gesellschaft der Musikfreunde (Society of Friends of Music) in Vienna.
1873Haydn Variations, Op. 56a, for orchestra.
from 1877His symphonic output begins with the Symphony No. 1 in C minor, Op. 68 (begun 1862); composition of the Symphony No. 2 in D major, Op. 73; the Symphony No. 3 in F major, Op. 90 (1883); and Symphony No. 4 in E minor, Op. 98 (1884–85): cantabile themes, chamber-music-like style.
from 1878Travels in Italy.
1878Violin Concerto in D major, Op. 77, for Joseph Joachim.
1881Piano Concerto No. 2 in B-flat major, Op. 83, with a scherzo movement.
1886Honorary president of Vienna’s Tonkünstlerverein (Association of Musicians).
1897Four Serious Songs, Op. 121. Dies in Vienna on April 3.

© 2003, 2010 Philipp Reclam jun. GmbH & Co. KG, Stuttgart

… more

About the authors

Ernst Herttrich

Ernst Herttrich (Introduction)

Dr. Ernst Herttrich, born in 1942 in Würzburg, read musicology, history, German and theology at the universities in Würzburg and Cologne. In 1970 he earned his doctorate in Würzburg with a study of the expression of melancholy in the music of Mozart.

From 1970 to 1990 he was an editor at G. Henle Publishers in Munich, after which he was Head of the Beethoven Complete Edition for over 15 years. In 1999 he took over as Head of the Beethoven-Haus Publishers, and from 2001 was made Head of the Beethoven-Archiv, the research centre at the Beethoven-Haus.

He has been a visiting professor at Meiji Gakuin University in Tokyo and has undertaken several lecture tours both there and to Kyoto. His research interests include source studies, editorial techniques and music history. Herttrich’s publications include “Beethoven. Liederkreis an die ferne Geliebte” (Bonn 1999) and “Ludwig van Beethoven. Biographie in Bildern” (Bonn, 2000). Herttrich has edited over 100 Urtext editions for G. Henle Publishers.

… more