The Novelettes arose at roughly the same time as the Kinderszenen and share the same largely untroubled mood. Writing to Clara Wieck, Schumann could exclaim "I’ve written such a frightful amount of music for you over the past three weeks - pranks, Egmontian tales, family scenes with fathers, a wedding, in short, extremely engaging things." Small wonder that the opus is one of Henle’s best-selling items. This thoroughly revised volume offers not only a newly edited musical text, but a preface with background material on the work’s genesis and a detailed section of editorial notes.
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Preface
The title Novelletten (“novelettes”) is so familiar to present-day connoisseurs that it is rarely if ever questioned. But what does it actually mean? Today, it is generally considered to refer to short novellas. As with so many titles, Schumann was the first composer to use the term “novelette” at all for a piece of music; later it was adopted by other com- posers such … more
Critical Commentary
About the composer

Robert Schumann
Connected with his oeuvre is the term he coined, Poetic Music, with which he strove for a fusion of literature and music, a paradigm particularly seen in his lyric piano pieces prior to 1839. Thereafter he devoted himself to other genres (song, symphony, chamber music, among others).
1810 | Born in Zwickau on June 8, the son of a bookdealer. |
from 1828 | Studies law in Leipzig, piano with Friedrich Wieck. Decision to pursue a career in music. |
1830–39 | He exclusively composes piano works, mostly cycles, including “Papillons,” Op. 2 (1829–32); “Carnaval,” Op 9 (1834/35); “Davidsbündlertänze,” Op. 6 (1837); “Kinderszenen” (“Scenes from Childhood”), Op. 15 (1837/38); “Kreisleriana,” Op. 16 (1838); “Noveletten,” Op. 21 (1838). |
1832 | A paralysis of a finger in his right hand makes a career as a pianist impossible. Founding in 1833 of the fantasy brotherhood the “Davidsbund” (“League of David”). |
1835–44 | Editor of the Neue Zeitschrift für Musik (New Journal of Music). |
1840 | Marriage to Clara Wieck; 138 songs, including the Eichendorff Liederkreis, Op. 39; the song cycle “Dichterliebe,” Op. 48 |
1841 | Symphony No. 1 in B-flat major (“Spring” Symphony), Op. 38, and Symphony No. 4 in D minor, Op. 120. |
1842 | Three string quartets, Op. 41; further chamber music. |
1843 | Teacher of composition at the Leipzig Conservatory. Oratorio “Paradise and the Peri,” Op. 50. |
1845 | He settles in Dresden. Journey to Russia. |
1845 | Piano Concerto in A minor, Op. 54, Symphony No. 2 in C major, Op. 61. |
1850 | City music director in Düsseldorf. Premiere in Leipzig of his opera “Genoveva,” Op. 81. Symphony in E-flat major (“Rhenish”), Op. 97; Cello Concerto in A minor, Op. 129. |
1853 | Beginning of his friendship with Brahms. Completion of the Scenes from Faust. Violin Concerto in D minor for Joseph Joachim. |
1854 | Suicide attempt and admission to the psychiatric institution in Endenich, near Bonn. |
1856 | Death in Endenich on July 29. |