Just like many other violin virtuosos of the 19th century, Pablo de Sarasate also composed a series of pieces for violin and piano (or orchestra) for his own concert use. Highly virtuosic salon pieces with echoes of national folk music traditions from all over Europe are at the centre. Sarasate published his eight Spanish dances in four books between 1878 and 1882. They alternate between fiery passion and a yearning expressiveness, and are undoubtedly among his most successful compositions. In masterly fashion, Sarasate here mixes up Spanish folk tunes with arrangements of popular compositions of the time. As in the case of the Henle Urtext edition of Sarasate’s Zigeunerweisen (HN 573), a violin wizard of our own time is responsible for the fingerings and bowings: Ingolf Turban.
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- Spanish Dances
In 1877, during his first concert tour through Germany, Pablo de Sarasate (1844 – 908) got to know the German 1 publisher Fritz Simrock, who commis sioned him to write a set of Spanish dances. Simrock, who had begun pub lishing a series of European folk dances a few years earlier with the Ungarische Tänze by Johannes Brahms (1869), had recognised the potential … more
About the composer
Pablo de Sarasate
A violinist and composer from Spain. During his childhood he already rose to become a celebrated virtuoso whose precise playing was described as brilliant and having a beautiful tonal quality. He was the dedicatee of world-famous violin concerti including Max Bruch’s Violin Concerto No. 2, op. 44. He himself wrote works for orchestra, including fantasies on operatic themes, as well as salon and chamber music. His musical language is characterized by folk elements.
|1844||Born in Pamplona on March 10. His father, the director of a military band, fosters his musical education. A child prodigy, he makes his debut as a violinist at approximately eight years of age. He studies in Madrid with Manuel Rodríquez.|
|1856||With the support of the Spanish court he studies violin at the Paris Conservatoire under Jean-Delphin Alard and harmony with Napoléon-Henri Reber.|
|1857||He is awarded the Conservatoire’s first prize in violin.|
|1858||He wins the Conservatoire’s first prize in harmony.|
|from 1860||Up to 200 concerts per year take him throughout Europe, Russia, the United States, and South America. His repertoire includes the violin concerti of Beethoven and Mendelssohn. He also increasingly focuses on chamber music.|
|1908||Dies in Biarritz on September 20.|
About the authors
These highly effective and inventive concert pieces are here beautifully edited by Henle in their usual fastidious fashion. Two violin parts, one with fingering and bowing by Ingolf Turban include fold-out pages to facilitate turns.