- String Quartet f minor op. post. 80
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Preface
Mendelssohn‘s String Quartet op. 80 is one of his few “autobiographical” works – a moving musical testimony to the grief he felt at the death of his sister Fanny and to his attempts to transform his suffering into art. He had just returned from a journey of several weeks to England, where he conducted six performances of his newly revised Elijah and appeared at several … more
Critical Commentary
About the composer
Felix Mendelssohn Bartholdy
A German composer, conductor, pianist, and organist who already numbered among the most important composers in Europe during his lifetime. While still young he found a unique tonal language. Reflected in his oeuvre, which spans all genres, are the contradictory tendencies of the age – Classicism and Romanticism. His endeavors over the course his life to perform the works of Johann Sebastian Bach led to a “rediscovery” of that composer which continues unabated. His intensive engagement with Bach and his counterpoint influenced his own compositional technique.
| 1809 | Born into a wealthy banker’s family in Hamburg on February 3. Escape to Berlin with his parents in 1811. First musical instruction from his mother. |
| 1819 | He becomes a pupil of Carl Friedrich Zelter. |
| 1820 | Joins the Sing-Akademie in Berlin. |
| 1821–23 | Twelve sinfonias for strings. |
| 1825 | String Octet in E-flat major, Op. 20. |
| 1826 | Overture to “A Midsummer Night’s Dream,” Op. 21 |
| 1827 | Begins studies at the University of Berlin. |
| 1829 | Revival of Bach’s St. Matthew Passion in Berlin on March 11 and 21. Travels to England and Scotland. |
| 1829–30 | “Reformation” Symphony in D minor, [Op. 107], with inclusion of the choral “Ein feste Burg“ (A Mighty Fortress Is Our God.) |
| 1830–32 | Extended travels, including to Italy and France. Piano Concerto in G minor, Op. 25; Overture in B minor, Op. 26, “The Hebrides, or Fingal’s Cave” (1829–30). |
| 1833 | Music director in Düsseldorf. “Italian” Symphony in A major, Op. 90 (1830–33). |
| 1835 | Director of the Gewandhaus concerts in Leipzig. |
| 1836 | Premiere in Düsseldorf of his oratorio “St. Paul: Oratorio on Words of the Holy Bible,” Op. 36. |
| 1838-44 | Violin Concerto in E minor, Op. 64. |
| 1840 | Composition of “Hymn of Praise, a Symphony-Cantata on Words of the Holy Bible,” Op. 52. |
| 1841 | Berlin, in the service of the Prussian king. “Variations sérieuses” in D minor, Op. 54, for piano. |
| 1842 | Completion of Symphony No. 3 (“Scottish”) in A minor, Op. 56, with a songlike opening. |
| 1843 | Incidental music to Shakespeare’s “A Midsummer Night’s Dream,” Op. 61. Director of the newly founded Leipzig Conservatory. |
| 1846 | Premiere of his oratorio “Elijah,” Op. 70, in Birmingham. |
| 1847 | String Quartet in F minor, [Op. 80]. Death in Leipzig on November 4. |
About the authors
Ernst Herttrich (Editor)
Dr. Ernst Herttrich, born in 1942 in Würzburg, read musicology, history, German and theology at the universities in Würzburg and Cologne. In 1970 he earned his doctorate in Würzburg with a study of the expression of melancholy in the music of Mozart.
From 1970 to 1990 he was an editor at G. Henle Publishers in Munich, after which he was Head of the Beethoven Complete Edition for over 15 years. In 1999 he took over as Head of the Beethoven-Haus Publishers, and from 2001 was made Head of the Beethoven-Archiv, the research centre at the Beethoven-Haus.
He has been a visiting professor at Meiji Gakuin University in Tokyo and has undertaken several lecture tours both there and to Kyoto. His research interests include source studies, editorial techniques and music history. Herttrich’s publications include “Beethoven. Liederkreis an die ferne Geliebte” (Bonn 1999) and “Ludwig van Beethoven. Biographie in Bildern” (Bonn, 2000). Herttrich has edited over 100 Urtext editions for G. Henle Publishers.