Unlike other late works by Franck, the Violin Sonata of 1886 found a friendly reception among critics and public from the outset. It is dedicated to Eugène Ysaÿe, who was attracting much attention at the time with his flawless violin technique. Ysaÿe was so inspired by the Sonata that he promised “I will play this masterpiece wherever I can find an artistically-minded pianist”. Nothing has changed to the present day regarding the work’s continuing popularity, but it was time to revise Henle’s previous edition to reflect the latest research. In the intervening period it has been shown that Franck was actively involved in reading the proofs for the printed edition, meaning that the first edition, which contains many differences from the autograph, has become the basis for our new one. The markings of the violin part of our edition are by Yehudi Menuhin; Daniel Hope has undertaken the changes required by the revised musical text.
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Preface
A majority of the works by César Franck (1822 – 90) that have a firm place in today’s concert repertoire, such as his Piano Quintet, his String Quartet, the Variations symphoniques for piano and orchestra and the Symphony in d minor, were only written in the composer’s last years. His Violin Sonata in A major, composed in 1886, also belongs to their number, … more
Critical Commentary
About the composer
César Franck
Famous organist and composer who exerted a lasting influence on French music of the fin-de-siècle both through his works and especially as a teacher.
| 1822 | Born in Liège on December 10. |
| 1831 | Instruction in piano, organ, and composition at the Royal Conservatory of Liège. |
| 1835 | First stay in Paris, lessons with Reicha, among others. |
| 1837–42 | Studies at the Conservatoire de Paris. |
| 1839–42 | “3 Trios concertants,” Op. 1, in the first of which he employs the cyclic technique typical both of his later works and of French symphonic music of the 1880s. |
| 1843 | Concert tour through Belgium and Germany. |
| 1845 | Premiere of his oratorio “Ruth.” |
| 1847 | He becomes organist at Notre-Dame-de-Lorette |
| 1852–70 | He teaches at various institutions. |
| from 1857 | Organist at Sainte-Clotilde, location of one of the famous Cavaillé Coll organs. Composition of sacred works; 1856–65, “6 Pièces” for organ. |
| 1861 | Member of the Société académique de musique sacrée (Academic Sacred Music Society). |
| 1869–79 | Composes oratorio “Les Béatitudes.” |
| 1871 | Founding member of the Société nationale de musique. |
| 1872 | Teaches an organ class at the Conservatoire. Among his most famous pupils are Duparc, Chausson, and d’Indy, whose Course in Musical Composition (1906) is based on Franck’s compositional and formal principles. |
| 1881–88 | Genesis of the symphonic poems “Le Chasseur maudit” (“The Accursed Huntsman”), “Les Djinns,” “Psyché.” |
| 1878 | Premiere of his “3 Pièces pour le Grand Orgue” in the monumental style. |
| 1886 | Violin Sonata in A major; president of the Société nationale de musique. |
| 1886–88 | Symphony in D minor, one of the most formative works of French symphonic music of the age. |
| 1890 | Death in Paris on November 8. |
| 1894 | Posthumous premiere in Monte Carlo of his opera “Hulda.” |
About the authors
Peter Jost (Editor)
Dr. Peter Jost, born in 1960 in Diefflen/Saar, read musicology, German and comparative studies at Saarland University in Saarbrücken. He did his PhD in 1988 with a thesis on Robert Schumann’s Waldszenen.
From November 1991 to April 2009 he was a research associate at the Richard Wagner Complete Edition in Munich, and since May 2009 has been an editor at G. Henle Publishers. His Urtext editions comprise predominantly French music of the 19th and 20th centuries, including works by Lalo, Saint-Saëns and Ravel.
Klaus Schilde (Fingering)
Prof. Klaus Schilde, born in 1926, spent his childhood in Dresden. There he was greatly influenced by Walter Engel, who taught him the piano (Kodaly method), composition and violin. From 1946–1948 he studied at the music conservatory in Leipzig with Hugo Steurer. After moving to the west in 1952 he studied with Walter Gieseking and Edwin Fischer, as well as with Marguerite Long, Lucette Descaves and Nadia Boulanger in Paris.
Schilde won numerous prizes. From 1947 onwards he gave concerts as a soloist and chamber musician on almost every single continent with renowned orchestras. He taught at the music conservatories in East Berlin Detmold, West Berlin, Munich, Tokyo (Geidai) and Weimar. From 1988–1991 he was President of the Staatliche Hochschule für Musik und Theater in Munich, where he also taught for decades as a professor. There are numerous radio and television broadcasts with Klaus Schilde as well as CD recordings. Schilde has contributed fingerings to almost 100 Henle Urtext editions.
