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- Tempest – Les Adieux – Hammerklavier. Sense and nonsense regarding the names given to Beethoven’s piano sonatas, Part 2
- ‘But it says in the autograph…’ – on a frequently posed question about our Urtext editions
- Summer break
- B(e) sharp – what would you play in Mozart’s piano variations K. 265?
- Non-stop “lombardic” rhythm? On a minute text problem in Mozart’s d-minor String Quartet K. 421
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Monthly Archives: May 2012
Getting the accents right. On the Rondo theme in Schubert’s “Arpeggione” Sonata (3rd movement)
Tabea Zimmermann, the fabulous violist, writes:
Posted in accent, Arpeggione Sonata (Schubert), Monday Postings, notation, piano + viola, Schubert, Franz
Tagged accent, Arpeggione, Schubert, syncopated
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Debussy: to finger or not to finger…? Why we are adding fingering in the “Études”
In summer 1915 in the solitude of Pourville, the small … Continue reading
Posted in Debussy, Claude, Douze Études (Debussy), Monday Postings, piano solo, Urtext
Tagged Chopin, Couperin, Debussy, Études, fingering, piano, Rameau
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