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- The charm of the unsettling. A special autograph correction of Mozart’s in the finale of the F-major string quartet K. 590
- Don’t miss a beat! The first movement of Saint-Saëns’ 2nd piano concerto
- Summer break
- Anton Webern: Now also “in blue”!
- France sets the tone – new Urtext editions in the “blue jersey”
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Monthly Archives: May 2012
Getting the accents right. On the Rondo theme in Schubert’s “Arpeggione” Sonata (3rd movement)
Tabea Zimmermann, the fabulous violist, writes:
Posted in accent, Arpeggione Sonata (Schubert), Monday Postings, notation, piano + viola, Schubert, Franz
Tagged accent, Arpeggione, Schubert, syncopated
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Debussy: to finger or not to finger…? Why we are adding fingering in the “Études”
In summer 1915 in the solitude of Pourville, the small … Continue reading
Posted in Debussy, Claude, Douze Études (Debussy), Monday Postings, piano solo, Urtext
Tagged Chopin, Couperin, Debussy, Études, fingering, piano, Rameau
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