Search
Subscribe2
-
Recent Posts
- Franz Xaver comes to Henle: On the 170th anniversary of the death of Franz Xaver Wolfgang Mozart (29 July 2014)
- Where does the key/clef go? About a problematic passage in Schumann’s F-major string quartet
- Without words, but with a foreword – what’s new on Sergei Rachmaninoff’s “Vocalise”
- A “new” Mozart work. On the c-minor “Fantasy” (K. 396/385f) in its original setting for violin and piano
- Clarinet – Oboe – Horn. New chamber music by Carl Nielsen on the Henle agenda
Tags
accent accidentals arrangements Autograph Bach Beethoven Brahms Chopin Christmas Debussy Dittersdorf Double bass Dragonetti facsimile Fantasy Pieces Fauré first edition Fontana genesis Haydn Hoffmeister instrumentation interpretation Liszt Mozart notation parts piano piano sonata Préludes Rachmaninoff Ravel reading Reger revision Saint-Saëns Satie Schubert Schumann urtext variants versions viola violin WagnerArchive
- July 2014 (2)
- June 2014 (2)
- May 2014 (2)
- April 2014 (2)
- March 2014 (3)
- February 2014 (2)
- January 2014 (2)
- December 2013 (2)
- November 2013 (2)
- October 2013 (2)
- September 2013 (3)
- August 2013 (2)
- July 2013 (2)
- June 2013 (2)
- May 2013 (2)
- April 2013 (3)
- March 2013 (2)
- February 2013 (3)
- January 2013 (2)
- December 2012 (2)
- November 2012 (2)
- October 2012 (3)
- September 2012 (2)
- August 2012 (2)
- July 2012 (2)
- June 2012 (2)
- May 2012 (2)
- April 2012 (3)
- March 2012 (2)
- February 2012 (2)
- January 2012 (2)
- December 2011 (2)
- November 2011 (2)
Monthly Archives: January 2013
Brahms’s ‘Hungarian Dances’ – new finds in old sources
In 2011 the Brahms researcher Michael Struck made a striking … Continue reading
How much verbal text can music tolerate?
A serious scholarly book publication can be recognized by the … Continue reading →