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- Why facsimiles, actually?
- HN 555 – A printing error in CPE Bach’s sonata for solo flute?
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- “Hark, Hark! The Joy Inspiring Horn” – Discoveries in Schumann’s Konzertstück, Opus 86
- Wieniawski’s Scherzo-Tarantella, op. 16: Structural designs for a synthesis between a tarantella and a scherzo?
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Monthly Archives: September 2013
A forgery? And if so, by whom? On the closing bars in Mozart’s Wind Quintet K. 452
The autograph of Mozart’s piano quintet for piano and four … Continue reading
High time for the low register – the double bass conquers the Henle catalogue
The strings, together with the main instrument, piano, have all … Continue reading
Ossia and Da Capo – Confusion in Schumann’s Papillons, Op. 2
Sometimes a conundrum can’t be solved, even when the source … Continue reading