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Recent Posts
- On Mozart’s ‘second naïveté’ (Alfred Einstein)
- Schönberg’s “Verklärte Nacht” in a special kind of Urtext edition
- Elgar’s Serenade for Strings: spring sunshine garbed in Henle Urtext. Interview with Rupert Marshall-Luck
- Waiting can be worthwhile – On Maurice Ravel’s Piano Concerto in G major
- Christmas Blog Post
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Author Archives: Annette Oppermann
Beethoven love letters? A contribution to perhaps his oeuvre’s smallest work group
In Beethoven’s just as extensive as impressive chamber music oeuvre, … Continue reading
Genuine Beethoven – or not quite? Questions of authenticity with Beethoven
The Beethoven Year is slowly coming to a close, almost … Continue reading
Posted in Monday Postings
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More than “Ode to Joy” – the whole range of Beethoven’s vocal work
Although the melody of the 9th Symphony’s choral movement, “Freude … Continue reading
“Beethoven Complete” yesterday and today – from the beginnings of the Beethoven complete edition(s) in the 19th century
Only what we have as whole, do we truly have … Continue reading
Posted in Beethoven, Ludwig van, Monday Postings, Sources
Tagged Beethoven, Breitkopf & Härtel, compete edition, Dunst, Haslinger, Zulehner
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The other type of sources: Letters about Max Bruch’s “Kol Nidrei”
An Urtext edition – and not just only from Henle … Continue reading
Posted in Bruch, Max, Kol Nidrei (Bruch), letter, Monday Postings, piano + violoncello
Tagged Bruch, Kol Nidrei
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Bordering on the modern – The Urtext edition of Schumann’s “Myrthen” op. 25
Considering that specifically for 19th-century works the first edition is … Continue reading
A tear for or from Rossini?
November 13 marks the 150th anniversary of Gioacchino Rossini’s death, … Continue reading