Author Archives: Annette Oppermann

Read the end first!

Come on now, fess up! Haven’t you sometimes thumbed through … Continue reading

Posted in Beethoven, Ludwig van, G. Henle Publishers, Monday Postings | Tagged , , , | Leave a comment

The lord of the low tones – Tobias Glöckler in conversation about Dragonetti’s “Famous Solo”

The double bass entered the Henle publishers’ catalogue a few … Continue reading

Posted in Dittersdorf, Karl Ditters von, double bass, Double Bass Concerto (Dittersdorf), Double Bass Concerto (Hoffmeister), Dragonetti, Domenico, Famous Solo (Dragonetti), Hoffmeister, Franz Anton, Monday Postings, Tobias Glöckler, Urtext | Tagged , , , , , , , , , , | Leave a comment

Why facsimiles, actually?

The blue Urtext editions certainly amount to the lion’s share … Continue reading

Posted in autograph, facsimile, G. Henle Publishers, Monday Postings, notation, Schubert, Franz, Violin Sonata op. 137 (Schubert) | Tagged , , , , , , , , , | Leave a comment

High time for the low register – the double bass conquers the Henle catalogue

The strings, together with the main instrument, piano, have all … Continue reading

Posted in Dittersdorf, Karl Ditters von, double bass, Double Bass Concerto (Dittersdorf), Double Bass Concerto (Hoffmeister), Dragonetti, Domenico, Famous Solo (Dragonetti), G. Henle Publishers, Hoffmeister, Franz Anton, Monday Postings, Tobias Glöckler, Urtext | Tagged , , , | 1 Comment

“Adelaide” – a song goes round the world

The German art song does indeed famously enjoy great popularity, … Continue reading

Posted in Adelaide op. 46 (Beethoven), Beethoven, Ludwig van, Monday Postings, piano + voice | Tagged , , , | 1 Comment

Totally, seriously – clearing it out is part of it!

Any of you who not only had a hearty laugh … Continue reading

Posted in autograph, Clarinet Sonata op. 107 (Reger), Monday Postings, notation, piano + clarinet, Reger, Max | Tagged , | Leave a comment

How much verbal text can music tolerate?

A serious scholarly book publication can be recognized by the … Continue reading

Posted in G. Henle Publishers, Monday Postings, Urtext | Tagged , , | 1 Comment

What’s the shelf life of Urtext? Revising at Henle publishers

When you look carefully at our recent publications you’ll also … Continue reading

Posted in Ballades (Chopin), Beethoven, Ludwig van, Brahms, Johannes, Chopin, Frédéric, G. Henle Publishers, Grand Fugue op. 134 (Beethoven), Monday Postings, Mozart, Wolfgang Amadeus, new source, revision, Schumann, Robert, Toccata op. 7 (Schumann), Urtext | Tagged , , , , , | Leave a comment

“Rock” or “stone”? Schumann’s text changes in “Liederkreis” op. 39 on poems by Joseph von Eichendorff

You know the Lorelei? You know that from the high … Continue reading

Posted in autograph, first edition, Liederkreis op. 39 (Schumann), Monday Postings, piano + voice, Schumann, Robert | Tagged , , , | Leave a comment

The “Creation” starting from scratch: Joseph Haydn’s sketches in the Complete Edition

It is probably well enough known that in the G. … Continue reading

Posted in chorus + orchestra, Creation (Haydn), genesis, Haydn, Joseph, Monday Postings, sketches | Tagged , , , , , | Leave a comment