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Author Archives: Peter Jost
Waiting can be worthwhile – On Maurice Ravel’s Piano Concerto in G major
At the outset the piano reduction of Ravel’s Piano Concerto … Continue reading
Posted in autograph, first edition, Monday Postings, new source, piano + orchestra, Ravel, Maurice, Urtext
Tagged autograph, first edition, piano concert, Ravel, urtext
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On the first version of Verdi’s string quartet – interview with Anselm Gerhard
Our recently published new edition of Giuseppe Verdi’s String Quartet … Continue reading
Posted in autograph, first edition, Monday Postings, string quartet, Verdi, Giuseppe, versions
Tagged interview
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Gaps in the notation: Liszt’s “Mazeppa” Etude
Our attention was recently drawn to a passage in our … Continue reading
Posted in Monday Postings
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The Unexpected, showing up often! Discoveries in Liszt’s revisions
The chances of sources being rediscovered or becoming newly accessible … Continue reading
Between two stools – a portrait of César Franck on his 200th birthday
César Franck, whose 200th birthday the music world is celebrating … Continue reading
A Milestone in Music History: Schoenberg’s 2nd String Quartet op. 10
Arnold Schoenberg, in his letter thanking well-wishers on his 75th … Continue reading
Refinement or oversight? On two passages in Fauré’s 1st Piano Quartet op. 15
Fauré is known for his refined tonal language, with the … Continue reading
Posted in Fauré, Gabriel, Monday Postings, piano quartet, Urtext
Tagged Piano Quartet op. 15
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How do fossils behave? On a passage in Saint-Saëns’ Carnaval des animaux
When a composer decides against publishing one of his works … Continue reading
“My fingering may inspire to play in the right style” – Interview with Pascal Rogé
To celebrate the French pianist Pascal Rogé’s 70th birthday on … Continue reading
Camille Saint-Saëns – a portrait for the 100th anniversary of his death
Whereas in 2020 the music world’s focus was on Beethoven’s … Continue reading