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- Debussy in Urtext – Part 4: Autograph corrections in chamber-music works
- More or less – Bartók’s well-regulated markings of his piano works
- The première of Sergei Rachmaninoff’s 2nd piano sonata op. 36
- The “Picardy” major third in Chopin’s incredibly sad c-sharp minor Nocturne
- Debussy in Urtext – Part 3: Debussy’s recordings of his piano music
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Category Archives: piano + viola
The melancholy horn – a short excursion into the monumental realm of Russian music
The repertoire of the G. Henle publishing house is traditionally … Continue reading
Posted in Élégie op. 44 (Glasunow), G. Henle Publishers, Glasunow, Alexander, Monday Postings, Mussorgsky, Modest, piano + horn, piano + viola, Rachmaninoff, Sergei, Rêverie op. 24 (Glasunow), Scriabin, Alexander, Urtext
Tagged Élégie, Glazunov, horn, Mussorgsky, Rachmaninoff, Rêverie, Russia, Scriabin, Tchaikovsky, viola
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Getting the accents right. On the Rondo theme in Schubert’s “Arpeggione” Sonata (3rd movement)
Tabea Zimmermann, the fabulous violist, writes:
Posted in accent, Arpeggione Sonata (Schubert), Monday Postings, notation, piano + viola, Schubert, Franz
Tagged accent, Arpeggione, Schubert, syncopated
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Sometimes you have to dig deeper! Or: What the violist should really play in Hoffmeister’s concerto.
Most violists groan whenever the names Hoffmeister and Stamitz are … Continue reading