Category Archives: Monday Postings

The year of the flute – special new editions in the Henle catalogue

For some time past the G. Henle publishing house has … Continue reading

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Composing made easy? On Erik Satie’s ‘Nocturnes’

It was not without good reason that the label ‘outsider’ … Continue reading

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‘It is G! Bravo, and a thousand thanks.’ Günter Henle’s guestbook (and a wrong note in Beethoven)

The violinist Yehudi Menuhin was without question amongst Günter Henle’s … Continue reading

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Franz Xaver comes to Henle: On the 170th anniversary of the death of Franz Xaver Wolfgang Mozart (29 July 2014)

That Henle is a Mozart publisher should not come as … Continue reading

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Where does the key/clef go? About a problematic passage in Schumann’s F-major string quartet

Fans of the humourist Wilhelm Busch will certainly be reminded … Continue reading

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Without words, but with a foreword – what’s new on Sergei Rachmaninoff’s “Vocalise”

Looking at the topics of the by now more than … Continue reading

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A “new” Mozart work. On the c-minor “Fantasy” (K. 396/385f) in its original setting for violin and piano

In the year 1821 three distinguished personalities met in Weimar: … Continue reading

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Clarinet – Oboe – Horn. New chamber music by Carl Nielsen on the Henle agenda

Carl Nielsen (1865–1931) is probably best known as a prominent … Continue reading

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Best until… How long does an accidental last?

Today’s musicians tend to react to the above question with … Continue reading

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The accent question in Schubert: An old theme with new variations

Anyone working with Schubert’s autographs inevitably runs up sooner or … Continue reading

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